First Steps in Acting |
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Page 249
... TATIANA ( indignantly ) . And is there anything wrong with my manners ? MIKAIL ( indulgently ) . Oh — you can't be blamed for them . TATIANA . Blamed ! MIKAIL . You were born a Grand Duchess , and you lacked the op- portunity for social ...
... TATIANA ( indignantly ) . And is there anything wrong with my manners ? MIKAIL ( indulgently ) . Oh — you can't be blamed for them . TATIANA . Blamed ! MIKAIL . You were born a Grand Duchess , and you lacked the op- portunity for social ...
Page 250
... ( Tatiana rises suddenly , seizes him in her arms and drags him down on the bed . ) TATIANA . Darling , darling , darling . You are forgiven . ( She kisses him fiercely . ) MIKAIL . Completely ? TATIANA . Completely ! MIKAIL . And you'll ...
... ( Tatiana rises suddenly , seizes him in her arms and drags him down on the bed . ) TATIANA . Darling , darling , darling . You are forgiven . ( She kisses him fiercely . ) MIKAIL . Completely ? TATIANA . Completely ! MIKAIL . And you'll ...
Page 251
... TATIANA . Very well , then - I can do better than that : tomorrow he will become a Grand Duke - entitled to precede himself in to dinner . MIKAIL ( overwhelmed with admiration ) . Tatiana , what resource ! TATIANA . Resourcefulness has ...
... TATIANA . Very well , then - I can do better than that : tomorrow he will become a Grand Duke - entitled to precede himself in to dinner . MIKAIL ( overwhelmed with admiration ) . Tatiana , what resource ! TATIANA . Resourcefulness has ...
Contents
The Actor As ImageMaker | 16 |
The Actor as InstrumentalistPantomime | 49 |
The Actor as InstrumentalistSpeech | 75 |
Copyright | |
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Common terms and phrases
acting actor ALGERNON AMANDA arms audience BENVOLIO BIFF BLAIR body CALIBAN CASSIUS CATHLEEN CECILY chair Chapter character CHRISTINE door dramatic E. Y. Harburg EBEN effect Eugene O'Neill exercises expressive eyes face feeling feet FINIAN Finian's Rainbow fundamental actions give Glass Menagerie GLETKIN goes GWENDOLEN hand head HENRIETTA HORACE imagery imagination impulses JACK JULIET kind kinesthetic laugh LAURA LAVINIA legs lift look MAURYA MERCUTIO MIKAIL mind MISS DYER Mister Roberts move movement never NORA object OLD WOMAN pantomime Paul Eldridge performance person play player posture PRIMUS REGINA response rising role ROMEO Romeo and Juliet RUBASHOV scene sense sits slowly sound speak spectator speech stage standing step STEPHANO STEVE TATIANA tell Tennessee Williams theatre thing Thomas Heggen thou thought tion tonal tone torso TRINCULO turns TYBALT voice walk words young