First Steps in Acting |
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Page 268
... lady , a woman addressed as " Belle " and a Photo - engraver , all invisible except to the OLD MAN and the OLD WOMAN . The newcomers occupy the four middle chairs . As the scene progresses other in- visible people arrive , a few at ...
... lady , a woman addressed as " Belle " and a Photo - engraver , all invisible except to the OLD MAN and the OLD WOMAN . The newcomers occupy the four middle chairs . As the scene progresses other in- visible people arrive , a few at ...
Page 271
Samuel Selden. OLD MAN ( with increasing nervousness ) . Someone has come . Peo- ple . Still more people . OLD WOMAN . I thought I heard some boats . OLD MAN . I'll go to the door . Go bring some chairs . Excuse me , gentlemen , ladies ...
Samuel Selden. OLD MAN ( with increasing nervousness ) . Someone has come . Peo- ple . Still more people . OLD WOMAN . I thought I heard some boats . OLD MAN . I'll go to the door . Go bring some chairs . Excuse me , gentlemen , ladies ...
Page 273
... OLD WOMAN returns as quickly as she can with a chair . ) You don't all know each other . . you're seeing each other for the first time . you knew each other by name ( To the OLD WOMAN . ) Semiramis , help me make the intro- ductions ... ...
... OLD WOMAN returns as quickly as she can with a chair . ) You don't all know each other . . you're seeing each other for the first time . you knew each other by name ( To the OLD WOMAN . ) Semiramis , help me make the intro- ductions ... ...
Contents
The Actor As ImageMaker | 16 |
The Actor as InstrumentalistPantomime | 49 |
The Actor as InstrumentalistSpeech | 75 |
Copyright | |
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Common terms and phrases
acting actor ALGERNON AMANDA arms audience BENVOLIO BIFF BLAIR body CALIBAN CASSIUS CATHLEEN CECILY chair Chapter character CHRISTINE door dramatic E. Y. Harburg EBEN effect Eugene O'Neill exercises expressive eyes face feeling feet FINIAN Finian's Rainbow fundamental actions give Glass Menagerie GLETKIN goes GWENDOLEN hand head HENRIETTA HORACE imagery imagination impulses JACK JULIET kind kinesthetic laugh LAURA LAVINIA legs lift look MAURYA MERCUTIO MIKAIL mind MISS DYER Mister Roberts move movement never NORA object OLD WOMAN pantomime Paul Eldridge performance person play player posture PRIMUS REGINA response rising role ROMEO Romeo and Juliet RUBASHOV scene sense sits slowly sound speak spectator speech stage standing step STEPHANO STEVE TATIANA tell Tennessee Williams theatre thing Thomas Heggen thou thought tion tonal tone torso TRINCULO turns TYBALT voice walk words young