have found more pleasure than we probably should have experienced in contemplating the reality;) and they had the good fortune to find favour in the eyes of Childe Harold, who, though 'pleasure's palled victim,' on whose 'faded brow' was written, 'cursed Cain's unresting doom,' was induced to 'pour forth an unpremeditated lay,' of some length, in honour of a certain bewitching Inez. He then prepares to embark at Cadiz, and bids adieu to his favourite city, where all were noble, save nobility, None hugg'd a conqueror's chains, save fallen chivalry! LXXXVI. 'Such be the sons of Spain, and strange her fate! A kingless people for a nerveless state, Her vassals combat when their chieftains flee, Fond of a land which gave them nought but life, Back to the struggle, baffled in the strife, War, war is still the cry, "War even to the knife!** The same train of reflections is pursued through a few more stanzas, and the first canto closes with a pathetic address to a young military friend, whose death was occasioned by a fever at Coimbra. At the commencement of the second Canto, we find the following apostrophe, to the ruins of Athens: II. 'Ancient of days! august Athena! where, Where are thy men of might? thy grand in soul? They won, and pass'd away-is this the whole? A school-boy's tale, the wonder of an hour! The warrior's weapon, and the sophist's stole Are sought in vain, and o'er each mouldering tower, Dim with the mist of years, grey flits the shade of power.'-p. 62, The poet is thus naturally led into a long train of reflections on the decay to which the noblest works of human industry and genius, are necessarily exposed; and on the blindness, the arrogance, the perversity of conquerors, who so often anticipate the ravages of time, and doom these monuments to premature destruction. He then inveighs, with great vehemence, against the whole tribe of collectors, who having purchased from the stupid and sordid officers War to the knife." Palafox's auswer to the French general at the siege of Saragoza,' of of the Turkish government, a general right of devastation, have proceeded to deface, and are daily defacing, the beautiful specimens of Grecian architecture, by removing and carrying off the bas-reliefs and other ornaments, from the ruined temples of Athens. Amongst these minor plunderers, the most prominent object of the poet's sarcasms, is Lord Elgin, who is very plainly designated in the text, and actually named in the notes; and it is only when the shafts of his ridicule are exhausted, that Lord Byron is at leisure to think of his imaginary pilgrim, who had embarked at Cadiz on board of a frigate, and whose voyage is described in the following spirited and beautiful stanzas. XVII. 'He that has sail'd upon the dark blue sea, So gaily curl the waves before each dashing prow. XVIII. And oh, the little warlike world within! White is the glassy deck, without a stain, Where on the watch the staid Lieutenant walks. ^ From law, however stern, which tends their strength to nerve. XX. Blow! swiftly blow, thou keel-compelling gale! Till the broad sun withdraws his lessening ray; *The netting to prevent blocks or splinters from falling on deck during action.' Ah, Ah, grievance sore! and listless dull delay, The flapping sail haul'd down to halt for logs like these! XXII. Through Calpe's straits survey the steepy shore, From mountain cliff to coast descending sombre down. To sit on rocks, to muse o'er flood and fell, Where things that own not man's dominion dwell, To climb the trackless mountain all unseen, Alone o'er steeps and foaming falls to lean; Converse with nature's charms, and see her stores unrolled. XXVI. But midst the crowd, the hum, the shock of men, And roam along the world's tir'd denizen, With none who bless us, none whom we can bless; XXVII. Pass we the long unvarying course, the track Pass we the calm, the gale, the change, the tack, Till on some jocund morn-lo, land! and all is well.'—p. 74. We We are then informed, that the island of Goza was once the abode of Calypso; that it possesses a safe harbour; but that it is still as dangerous as ever to tender hearted travellers, being the residence of a certain fascinating female, called Florence, whose attractions, even Childe Harold, steeled as he was against the charms of beauty and coquetry, was scarcely able to resist. He proceeds however, on his voyage, passes the barren island of Ithaca, comes in sight of the Leucadian promontory, indulges in some melancholy musings on the death of Sappho, and disembarking on the coast of the Morea, continues his pilgrimage by land to Yanina, the capital of Albania and of all modern Greece, and residence of the celebrated Ali Pacha. The magnificence of the surrounding Jandscape is thus described: XLVII. "Monastic Zitza! from thy shady brow, Thou small, but favour'd spot of holy ground! What rainbow tints, what magic charms are found! Between those hanging rocks, that shock yet please the soul. Amidst the grove that crowns yon tufted hill, Here in the sultriest season let him rest, And gaze, untir'd, the morn, the noon, the eve away.'-p. 85. *The Greek monks are so called.' Ali was at this time engaged in a military expedition at some distance from his capital; a circumstance which afforded Childe Harold an opportunity of contemplating the diversified scenery of a camp, occupied by a mixed soldiery of Albanians, Turks and Tartars, and by a still more various multitude of attendants on the army; and at the same time, of beholding the terrible chieftain whose friendship is courted by the most powerful sovereigns of christendom, and whose influence awes the councils of the Ottoman empire. The mild and venerable countenance, and courteous demeanour of this aged warrior, are represented (and we believe with great truth) as concealing a character disgraced by the excess of lust, avarice, and cruelty, yet calculated to secure the affectious as well as the obedience of the wild mountaineers whom he commands, by intrepid courage, considerable military skill, and con summate policy. His head-quarters being at this time at Tepaleni, his favourite and splendid country-residence, Childe Harold's curiosity was here gratified, by a sight of all the magnificent baubles, with which the eastern potentates are encompassed in their solitary retirement; but he is soon disgusted with the contemplation of a mode of life chequered only by the alternations of harassing fatigue and monotonous insipidity; and again sets off, to explore the wild mountains of Albania, and to examine the manners of its untutored inhabitants. Their valour, their independent spirit, and love of their country, were well known to him by common report; but these virtues were said to be accompanied by a gloomy and undiscriminating ferocity. An accident, however, during one of his excursions, having thrown him into their power, he found amongst them shelter and protection, and the kindest hospitality. He partakes of their humble fare; is guarded by their unbought vigilance; and during a journey which would not only have been hazardous, but even impracticable, without their assistance, is amused by the spectacle of their favourite pastime, the Pyrrhic dance; which it seems still survives amongst these martial tribes, and still animates them to a repetition of those enterprizes, of which it exhibits the representation. A translated specimen of one of the choral songs which usually accompany this dance, is introduced into this part of the poem, and we here lose sight of Childe Harold; the remainder of the canto being occupied, partly by reflections on the present degraded state of Greece, and partly by a melancholy retrospect of the domestic calamities, which have deprived the author of those, whose affectionate greetings, after his return from his travels, he had most fondly anticipated. From the former class we select the following stanzas, with which we shall close our extracts. LXII |