The Charles Whittinghams, Printers |
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Page 232
... Didot at Paris , did not impel the average English printer to rivalry , nor even to feeble imitation . For apathy ... style of roman text- letter . The Baskerville style had been condemned at its introduction . After years of ...
... Didot at Paris , did not impel the average English printer to rivalry , nor even to feeble imitation . For apathy ... style of roman text- letter . The Baskerville style had been condemned at its introduction . After years of ...
Page 236
... style , rounder , lighter , and less angular than that of the first Caslon , apparently one of the new faces of Mrs ... Didot style . This new face seems to have been a favorite ; it was used almost exclusively for many subsequent years ...
... style , rounder , lighter , and less angular than that of the first Caslon , apparently one of the new faces of Mrs ... Didot style . This new face seems to have been a favorite ; it was used almost exclusively for many subsequent years ...
Page 236
... Didot style . Although condemned by the best printers of the time , the fat - faced type , as it is now called , was much admired by the public and was freely used in books.1 Printers who would not tolerate its excessive boldness found ...
... Didot style . Although condemned by the best printers of the time , the fat - faced type , as it is now called , was much admired by the public and was freely used in books.1 Printers who would not tolerate its excessive boldness found ...
Page 236
... style , rounder , lighter , and less angular than that of the first Caslon , apparently one of the new kačos o . Nis ... Didot style 11 : gà shay hallines and clean edges , 258 SPork , as is shown in the SUE WAS A ; became worn and ...
... style , rounder , lighter , and less angular than that of the first Caslon , apparently one of the new kačos o . Nis ... Didot style 11 : gà shay hallines and clean edges , 258 SPork , as is shown in the SUE WAS A ; became worn and ...
Page 236
... style TS, Josion letter appears only in the italic • *** *** **, *.do as if it were conscious of being ~ * or Tss ... Didot style was or w -- s > so.--> *- : *s and clean edges, > * -- - - **** - - - --- -- *** : so ...
... style TS, Josion letter appears only in the italic • *** *** **, *.do as if it were conscious of being ~ * or Tss ... Didot style was or w -- s > so.--> *- : *s and clean edges, > * -- - - **** - - - --- -- *** : so ...
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abcdefghijklmnopqrstuvwxyz& The types admirable Aldine Anchor and Dolphin apprentice auroit Bannatyne Club Basil Montague Baskerville beauty befeech thee Bishop Elphinstone black-letter blocks Bodoni bookseller borders cabbage-seed called Charles Whittingham Charlotte Whittingham Chiswick Press copper-plate craft craftsman Cruikshank Designed by Charlotte Didot style Dijk early edition eighteenth century Engraved by John Engraved by Mary Enschedé face fashion fat-faced feeble Flemish black-letter form of black-letter founders François-Ambroise Didot French Gay's Fables Geoffrey Tory George Cruikshank illustrations imitation italic Jared Sparks John Thompson labor letter London Lord Mahon Mary Byfield master printer ment Miss Byfield Moxon Nephew Charles Nephew Whittingham ornaments paper partnership Pickering's Pity's Gift plates pleaſe thee Poems pounds produced published Rogers sharp hair-lines sixteenth century Street taste thee to hear Thomas Thomas Stothard Thorne tingham tion title-page Took's Court trade type-founder typography Uncle Whittingham volumes Whit Whittingham's books wick Press William Pickering woodcuts
Popular passages
Page 149 - Walton and Cotton's Complete Angler ; or, The Contemplative Man's Recreation : being a Discourse of Rivers, Fishponds, Fish and Fishing, written by IZAAK WALTON ; and Instructions how to Angle for a Trout or Grayling in a clear Stream, by CHARLES COTTON.
Page 151 - Lord. That it may please thee to give us true repentance ; to forgive us all our sins, negligences, and ignorances ; and to endue us with the grace of thy Holy Spirit to amend our lives according to thy holy Word ; We beseech thee to hear us, good Lord.
Page 151 - O Lamb of God : that takest away the sins of the world ; Grant us Thy peace. O Lamb of God : that takest away the sins of the world ; Have mercy upon us.
Page 104 - The mere sight of the little books published by Mr. Cundall — of which some thirty now lie upon my table — is as good as a nosegay. Their actual colours are as brilliant as a bed of tulips, and blaze with emerald, and orange, and cobalt, and gold, and crimson.
Page 150 - That it may please thee to preserve all that travel by land or by water, all women labouring of child, all sick persons, and young children ; and to shew thy pity upon all prisoners and captives; We beseech thee to hear us, good Lord.
Page 104 - Collected and edited, with some account of his life and writings, by the Rev. Alexander Dyce, BA Second edition with additions in two volumes.
Page 150 - We befeech Thee to hear us, good Lord. " That it may pleafe Thee to give us true repentance ; to forgive us all our fins, negligences, and ignorances ; and to endue us with the grace of Thy Holy Spirit to amend our lives according to Thy holy Word;
Page 14 - It is surely a particular hardship, that I should not get bread in my own country (and it is too late to go abroad) after having acquired the reputation of excelling in the most useful art known to mankind; while every one who excels as a Player, Fiddler, Dancer, &c. not only lives in affluence, but has it in their power to save a fortune.
Page 204 - Varnish is yet Boylinghot, which so Burns and Rubifies the Blacking, that it loses much of its brisk and vivid black complexion. " Fifthly, Because Blacking is dear, and adds little to the weight of Inck, they stint themselves to a quantity which they exceed not ; so that sometimes the Inck proves so unsufferable Pale, that the Press-man is forc'd to Rub in more Blacking upon the Block ; yet this he is often so loth to do, that he will rather hazard the content the Colour shall give, than take the...
Page 13 - I have taken the liberty of sending you a specimen of mine, begun ten years ago at the age of forty-seven; and prosecuted ever since, with the utmost care and attention; on the strongest presumption, that if I could fairly excel in this divine art, it would make my affairs easy, or at least give me Bread. But, alas! in both I was mistaken.