The Divine Comedy

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Arcturus Publishing, 2017 - Fiction - 288 pages

"The meaning of this work is not simple...for we obtain one meaning from the letter of it, and another from that which the letter signifies; and the first is called literal, but the other allegorical or mystical."

Thus writes Dante Alighieri to Can Grande della Scala, his patron, about the purpose and raison d' tre of The Divine Comedy. Written between 1308 and the year of Dante's death in 1321, this evocative, moving, and often startling epic poem is widely considered to be the last great work of medieval literature and the first great work of the Renaissance - straddling two worlds on the brink of change. As one of the world's enduring literary heavyweights, its profound Christian message and detailed social and political commentary of fourteenth-century Italy weave a rich tapestry of interpretation, meaning, and symbolism.

Dante's allegorical analysis of the mystery of divine revelation to the unsuspecting human soul is beautifully conveyed as a subtle journey of wonder and self-discovery, made personal by characters (and sinners) drawn from his own lineage, contemporary Florentine life, mythology, and the Bible. From the pilgrim's deepening insight into the workings of evil and moral choice (Hell) through to the dramatization of the nature and purpose of moral conversion (Purgatory) to the blissfully mystical ascent before God (Paradise), Dante's cosmic vision remains unparalleled.

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About the author (2017)

Born Dante Alighieri in the spring of 1265 in Florence, Italy, he was known familiarly as Dante. His family was noble, but not wealthy, and Dante received the education accorded to gentlemen, studying poetry, philosophy, and theology. His first major work was Il Vita Nuova, The New Life. This brief collection of 31 poems, held together by a narrative sequence, celebrates the virtue and honor of Beatrice, Dante's ideal of beauty and purity. Beatrice was modeled after Bice di Folco Portinari, a beautiful woman Dante had met when he was nine years old and had worshipped from afar in spite of his own arranged marriage to Gemma Donati. Il Vita Nuova has a secure place in literary history: its vernacular language and mix of poetry with prose were new; and it serves as an introduction to Dante's masterpiece, The Divine Comedy, in which Beatrice figures prominently. The Divine Comedy is Dante's vision of the afterlife, broken into a trilogy of the Inferno, Purgatory, and Paradise. Dante is given a guided tour of hell and purgatory by Virgil, the pagan Roman poet whom Dante greatly admired and imitated, and of heaven by Beatrice. The Inferno shows the souls who have been condemned to eternal torment, and included here are not only mythical and historical evil-doers, but Dante's enemies. The Purgatory reveals how souls who are not irreversibly sinful learn to be good through a spiritual purification. And The Paradise depicts further development of the just as they approach God. The Divine Comedy has been influential from Dante's day into modern times. The poem has endured not just because of its beauty and significance, but also because of its richness and piety as well as its occasionally humorous and vulgar treatment of the afterlife. In addition to his writing, Dante was active in politics. In 1302, after two years as a priore, or governor of Florence, he was exiled because of his support for the white guelfi, a moderate political party of which he was a member. After extensive travels, he stayed in Ravenna in 1319, completing The Divine Comedy there, until his death in 1321.

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