Miscellaneous Works, Volume 1Claxton, Remsen & Hoffelfinger, 1869 - English literature |
From inside the book
Results 1-5 of 46
Page
... PAINTING , II . THE SAME SUBJECT , · III . - ON THE PAST AND FUTURE , IV . - ON PEOPLE WITH ONE IDEA , • V. ON THE IGNORANCE OF THE LEARNED , VI . - ON WILL - MAKING , • VII . - ON A LANDSCAPE OF NICOLAS POUSSIN , VIII . - ON GOING A ...
... PAINTING , II . THE SAME SUBJECT , · III . - ON THE PAST AND FUTURE , IV . - ON PEOPLE WITH ONE IDEA , • V. ON THE IGNORANCE OF THE LEARNED , VI . - ON WILL - MAKING , • VII . - ON A LANDSCAPE OF NICOLAS POUSSIN , VIII . - ON GOING A ...
Page
... author's son , will be left untouched for future publication in this series , which will also include the various volumes of Lectures and Critical Papers of HAZLITT . TABLE TALK . ESSAY I. On the Pleasure of Painting.
... author's son , will be left untouched for future publication in this series , which will also include the various volumes of Lectures and Critical Papers of HAZLITT . TABLE TALK . ESSAY I. On the Pleasure of Painting.
Page 1
William Hazlitt. TABLE TALK . ESSAY I. On the Pleasure of Painting . " THERE is a pleasure in painting which none but painters know . " In writing , you have tɔ contend with the world ; in painting , you have only to carry on a friendly ...
William Hazlitt. TABLE TALK . ESSAY I. On the Pleasure of Painting . " THERE is a pleasure in painting which none but painters know . " In writing , you have tɔ contend with the world ; in painting , you have only to carry on a friendly ...
Page 3
... painting , because you have to set down not what you knew already , but what you have just discovered . In the former case , you translate feelings into words ; in the latter , names into things . There is a continual creation out of ...
... painting , because you have to set down not what you knew already , but what you have just discovered . In the former case , you translate feelings into words ; in the latter , names into things . There is a continual creation out of ...
Page 4
... paint the effect of the motes dancing in the setting sun . At another time , a friend coming into his painting - room , when he was sitting on he ground in a melancholy posture , observed that his picture looked like a landscape after a ...
... paint the effect of the motes dancing in the setting sun . At another time , a friend coming into his painting - room , when he was sitting on he ground in a melancholy posture , observed that his picture looked like a landscape after a ...
Other editions - View all
Common terms and phrases
abstract admiration affectation artist beauty better breath character Cimabue Coleridge common conceive conversation Correggio delight Don Quixote ESSAY excellence face fame fancy favourite feel French genius gentleman give grace habit hand heart human idea idle ignorance imagination indifferent interest ipse dixit Jeremy Taylor Job Orton King labour laugh learning live look Lord Lord Byron Lord Castlereagh manner matter mind Molière nature Nether Stowey never Nicolas Poussin Northcote object once opinion ourselves pains paint painter pass perhaps person picture play pleasure poet poetry prejudice pretensions pride prose pursuit racter Raphael reason refinement Rembrandt seems sense Shakespear sion sort speak spirit style talk taste Tattler thing thought tion Titian Tom Jones truth turn understand vanity vulgar wish words write