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HIS TRUE CHARACTERISTICS.

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the weight and terseness of the maxims which he drops, like oracular responses, on occasions that give no promise of such a revelation; and last, though not least, that sweet and seldom sounded chord of Lyrical inspiration, the lightest touch of which instantly charms away all harshness from his numbers, and all lowness from his themes and at once exalts him to a level with the most energetic and inventive poets of his age.

These, we think, are the true characteristics of the genius of this great writer; and it is in their mixture with the oddities and defects to which we have already alluded, that the peculiarity of his manner seems to us substantially to consist. The ingredients may all of them be found, we suppose, in other writers; but their combination — in such proportions at least as occur in this instance may safely be pronounced to be original.

Extraordinary, however, as this combination must appear, it does not seem very difficult to conceive in what way it may have arisen; and, so far from regarding it as a proof of singular humorousness, caprice, or affectation in the individual, we are rather inclined to hold that something approaching to it must be the natural result of a long habit of observation in a man of genius, possessed of that temper and disposition which is the usual accompaniment of such a habit; and that the same strangely compounded and apparently incongruous assemblage of themes and sentiments would be frequently produced under such circumstances - if authors had oftener the courage to write from their own impressions, and had less fear of the laugh or wonder of the more shallow and barren part of their readers.

A great talent for observation, and a delight in the exercise of it the power and the practice of dissecting and disentangling that subtle and complicated tissue, of habit, and self-love, and affection, which constitute human character seems to us, in all cases, to imply a contemplative, rather than an active disposition. It can only exist, indeed, where there is a good deal of social sympathy; for, without this, the occupation could excite no interest, and afford no satisfaction-but only such a mea

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sure and sort of sympathy as is gratified by being a spectator, and not an actor on the great theatre of life

and leads its possessor rather to look with eagerness on the feats and the fortunes of others, than to take a share for himself in the game that is played before him. Some stirring and vigorous spirits there are, no doubt, in which this taste and talent is combined with a more thorough and effective sympathy; and leads to the study of men's characters by an actual and hearty participation in their various passions and pursuits; though it is to be remarked, that when such persons embody their observations in writing, they will generally be found to exhibit their characters in action, rather than to describe them in the abstract; and to let their various personages disclose themselves and their peculiarities, as it were spontaneously, and without help or preparation, in their ordinary conduct and speech of all which we have a very splendid and striking example in the "Tales of My Landlord," and the other pieces of that extraordinary writer. In the common case, however, a great observer, we believe, will be found, pretty certainly, to be a person of a shy and retiring temper-who does not mingle enough with the people he surveys, to be heated with their passions, or infected with their delusions and who has usually been led, indeed, to take up the office of a looker on, from some little infirmity of nerves, or weakness of spirits, which has unfitted him from playing a more active part on the busy scene of existence.

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Now, it is very obvious, we think, that this contemplative turn, and this alienation from the vulgar pursuits of mankind, must in the first place, produce a great contempt for most of those pursuits, and the objects they seek to obtain a levelling of the factitious distinctions which human pride and vanity have established in the world, and a mingled scorn and compassion for the lofty pretensions under which men so often disguise the nothingness of their chosen occupations. When the many-coloured scene of life, with all its petty agitations, its shifting pomps, and perishable passions, is surveyed

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by one who does not mix in its business, it is impossible that it should not appear a very pitiable and almost ridiculous affair; or that the heart should not echo back the brief and emphatic exclamation of the mighty dramatist— "Life's a poor player,

Who frets and struts his hour upon the stage,

And then is heard no more!"

Or the more sarcastic amplification of it, in the words of our great moral poet

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Behold the Child, by Nature's kindly law,
Pleas'd with a rattle, tickl'd with a straw!

Some livelier plaything gives our Youth delight,
A little louder, but as empty quite :

Scarfs, garters, gold our riper years engage;
And beads and prayer-books are the toys of Age!
Pleas'd with this bauble still as that before,

Till tir'd we sleep—and Life's poor play is o'er!"

This is the more solemn view of the subject: - But the first fruits of observation are most commonly found to issue in Satire-the unmasking the vain pretenders to wisdom, and worth, and happiness, with whom society is infested, and holding up to the derision of mankind those meannesses of the great, those miseries of the fortunate, and those

"Fears of the brave, and follies of the wise,"

which the eye of a dispassionate observer so quickly detects under the glittering exterior by which they would fain be disguised - and which bring pretty much to a level the intellect, and morals, and enjoyments, of the great mass of mankind.

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This misanthropic end has unquestionably been by far the most common result of a habit of observation; and that in which its effects have most generally terminated: Yet we cannot bring ourselves to think that it is their just or natural termination. Something, no doubt, will depend on the temper of the individual, and the proportions in which the gall and the milk of human kindness have been originally mingled in his composition. — Yet satirists, we think, have not in general been ill-natured persons - and we are inclined rather to ascribe this

352 CRABBE SATIRE SHOULD RIPEN TO PHILANTHROPY.

limited and uncharitable application of their powers of observation to their love of fame and popularity,—which are well known to be best secured by successful ridicule or invective—or, quite as probably, indeed, to the narrowness and insufficiency of the observations themselves, and the imperfection of their talents for their due conduct and extension. It is certain, at least, we think, that the satirist makes use but of half the discoveries of the observer; and teaches but half- and the worser half of the lessons which may be deduced from his occupation. He puts down, indeed, the proud pretensions of the great and arrogant, and levels the vain distinctions which human ambition has established among the brethren of mankind; he

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Bares the mean heart that lurks beneath a Star,"

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-and destroys the illusions which would limit our sympathy to the forward and figuring persons of this world the favourites of fame and fortune. But the true result of observation should be, not so much to cast down the proud, as to raise up the lowly; not so much to diminish our sympathy with the powerful and renowned, as to extend it to all, who in humbler conditions, have the same, or still higher claims on our esteem or affection. It is not surely the natural consequence of learning to judge truly of the characters of men, that we should despise or be indifferent about them all; and, though we have learned to see through the false glare which plays round the envied summits of existence, and to know how little dignity or happiness, or worth, or wisdom, may sometimes belong to the possessors of power, and fortune, and learning and renown, — it does not follow, by any means, that we should look upon the whole of human life as a mere deceit and imposture, or think the concerns of our species fit subjects only for scorn and derision. Our promptitude to admire and to envy will indeed be corrected, our enthusiasm abated, and our distrust of appearances increased; - but the sympathies and affections of our nature will continue, and be better

CRABBE WAS SATIRICAL AND SYMPATHETIC.

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directed our love of our kind will not be diminished — and our indulgence for their faults and follies, if we read our lesson aright, will be signally strengthened and confirmed. The true and proper effect, therefore, of a habit of observation, and a thorough and penetrating knowledge of human character, will be, not to extinguish our sympathy, but to extend it to turn, no doubt, many a throb of admiration, and many a sigh of love into a smile of derision or of pity; but at the same time to reveal much that commands our homage and excites our affection, in those humble and unexplored regions of the heart and understanding, which never engage the attention of the incurious, and to bring the whole family of mankind nearer to a level, by finding out latent merits as well as latent defects in all its members, and compensating the flaws that are detected in the boasted ornaments of life, by bringing to light the richness and the lustre that sleep in the mines beneath its surface.

We are afraid some of our readers may not at once perceive the application of these profound remarks to the subject immediately before us. But there are others, we doubt not, who do not need to be told that they are intended to explain how Mr. Crabbe, and other persons with the same gift of observation, should so often busy themselves with what may be considered as low and vulgar characters; and, declining all dealings with heroes and heroic topics, should not only venture to seek for an interest in the concerns of ordinary mortals, but actually intersperse small pieces of ridicule with their undignified pathos, and endeavour to make their readers look on their books with the same mingled feelings of compassion and amusement, with which-unnatural as it may appear to the readers of poetry- they, and all judicious observers, actually look upon human life and human nature. This, we are persuaded, is the true key to the greater part of the peculiarities of the author before us; and though we have disserted upon it a little longer than was necessary, we really think it may enable our readers to comprehend him, and our remarks

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