D. Iuni Iuvenalis Saturarum libri V |
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Page vi
... called versus Fescennini , were combined with the dancing , music , and stage action learned from Etruscan actors brought to Rome in 364 B.C. ' Whether this be true or not , 1 The author is thus regarded as a purveyor ; the use of ...
... called versus Fescennini , were combined with the dancing , music , and stage action learned from Etruscan actors brought to Rome in 364 B.C. ' Whether this be true or not , 1 The author is thus regarded as a purveyor ; the use of ...
Page x
... called facun- dus , which without doubt refers only to his ability as an orator ; for all signs point to his having published none of the satires until a much later date . About the year 100 , after Martial had finally retired from Rome ...
... called facun- dus , which without doubt refers only to his ability as an orator ; for all signs point to his having published none of the satires until a much later date . About the year 100 , after Martial had finally retired from Rome ...
Page xx
... called humor : of humorous situations there is no lack ( e . g . 1 , 123 ff . ) , but they are usually presented in such a way as to arouse indignation rather than ridicule . Cf. , however , J. Jessen , Witz und Humor im Juvenal , in ...
... called humor : of humorous situations there is no lack ( e . g . 1 , 123 ff . ) , but they are usually presented in such a way as to arouse indignation rather than ridicule . Cf. , however , J. Jessen , Witz und Humor im Juvenal , in ...
Page xxvi
... called the codex Pithoeanus ( P ) after Pierre Pithou , the French lawyer , who edited the satires from it in 1585. It is also frequently referred to as the 1 Cf. § 26 . 2 Divin . Institut . III , 29 , 17 ; cf. Iuv . 10 , 365 f . * Note ...
... called the codex Pithoeanus ( P ) after Pierre Pithou , the French lawyer , who edited the satires from it in 1585. It is also frequently referred to as the 1 Cf. § 26 . 2 Divin . Institut . III , 29 , 17 ; cf. Iuv . 10 , 365 f . * Note ...
Page xxviii
... called the inferior or interpolated class ( w ) , of which none is earlier than the ninth century , and almost all are later . These Mss . , differing more or less widely one from another , offer a text decidedly inferior to that of P ...
... called the inferior or interpolated class ( w ) , of which none is earlier than the ninth century , and almost all are later . These Mss . , differing more or less widely one from another , offer a text decidedly inferior to that of P ...
Contents
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71 | |
91 | |
92 | |
99 | |
114 | |
9 | |
lvi | |
lix | |
lxviii | |
lxxii | |
1 | |
6 | |
11 | |
23 | |
25 | |
30 | |
51 | |
58 | |
20 | |
23 | |
44 | |
65 | |
80 | |
94 | |
120 | |
137 | |
158 | |
163 | |
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Page 15 - ... omnibus hic idem, si foeda et scissa lacerna, si toga sordidula est et rupta calceus alter pelle patet, vel si consuto volnere crassum 150 atque recens linum ostendit non una cicatrix? nil habet infelix paupertas durius in se quam quod ridiculos homines facit. "exeat...
Page 12 - Dum nova canities, dum prima et recta senectus, Dum superest Lachesi, quod torqueat, et pedibus me Porto meis, nullo dextram subeunte bacillo.
Page 81 - Herculis aerumnas credat saevosque labores et venere et cenis et pluma Sardanapalli. monstro quod ipse tibi possis dare, semita certe tranquillae per virtutem patet unica vitae.
Page 102 - Tradidit arcano quodcunque volumine Moses, Non monstrare vias,- eadem nisi sacra colenti, Quaesitum ad fontem solos deducere verpos.
Page 21 - ... appropriate on an ancient tomb, is out of place in a modern churchyard, through which no road passes. SATIRE III. HOW THE POOR LIVE AT ROME. Some remarks on this Satire, in some respects Juvenal's masterpiece. will be found in the Introduction p. xxxix. Of many translations or imitations the most famous is Samuel Johnson's ' London, a Poem in Imitation of the Third Satire of Juvenal,' published in May 1738, which at once brought fame, but little profit, to its author.