An Actor PreparesAn Actor Prepares is the most famous acting training book ever to have been written and the work of Stanislavski has inspired generations of actors and trainers. This translation was the first to introduce Stanislavski's 'system' to the English speaking world and has stood the test of time in acting classes to this day. Stanislavski here deals with the inward preparation an actor must undergo in order to explore a role to the full. He introduces the concepts of the 'magic if' units and objectives, of emotion memory, of the super-objective and many more now famous rehearsal aids. Now available in the Bloomsbury Revelations series to mark the 150th anniversary of Stanislavski's birth, this is an essential read for actors, directors and anyone interested in the art of drama. |
From inside the book
Results 1-5 of 54
Page v
... imagination 47 5 Concentration of attention 63 6 relaxation of muscles 83 7 units and objectives 97 8 Faith and a sense of Truth 111 9 emotion memory 141 10 Communion 167 11 adaptation 193 12 inner motive Forces 211 13 The unbroken line ...
... imagination 47 5 Concentration of attention 63 6 relaxation of muscles 83 7 units and objectives 97 8 Faith and a sense of Truth 111 9 emotion memory 141 10 Communion 167 11 adaptation 193 12 inner motive Forces 211 13 The unbroken line ...
Page viii
... imagination and make their point succinctly. The brooch hidden in the curtain. The mad man behind the door. The money thrown into the fire by the simple brother. each image is vivid and has its purpose in unlocking the actor's craft. in ...
... imagination and make their point succinctly. The brooch hidden in the curtain. The mad man behind the door. The money thrown into the fire by the simple brother. each image is vivid and has its purpose in unlocking the actor's craft. in ...
Page ix
... imaginative, and artful in its dialogue between the troupe of young actors and their strict but nurturing tutor. it contains a multitude of practical tools (including actions, objectives, and tempo-rhythm). at the same time, it contains ...
... imaginative, and artful in its dialogue between the troupe of young actors and their strict but nurturing tutor. it contains a multitude of practical tools (including actions, objectives, and tempo-rhythm). at the same time, it contains ...
Page 4
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Page 6
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Contents
Chapter 1 The First Test | 1 |
Chapter 2 When Acting is an Art | 11 |
Chapter 3 Action | 29 |
Chapter 4 Imagination | 47 |
Chapter 5 Concentration of Attention | 63 |
Chapter 6 Relaxation of Muscles | 83 |
Chapter 7 Units and Objectives | 97 |
Chapter 8 Faith and a Sense of Truth | 111 |
Chapter 10 Communion | 167 |
Chapter 11 Adaptation | 193 |
Chapter 12 Inner Motive Forces | 211 |
Chapter 13 The Unbroken Line | 219 |
Chapter 14 The Inner Creative State | 227 |
Chapter 15 The SuperObjective | 237 |
Chapter 16 On the Threshold of the Subconscious | 245 |
Chapter 9 Emotion Memory | 141 |
Other editions - View all
Common terms and phrases
acting action activity actor adaptations adjustments answer appear artist asked attention become began begin believe body carry circumstances completely continued course create creative difficult direct Director effort elements emotions everything exercise experience explained expression external eyes face feelings felt forces give given Grisha hand happened human imagination important impression inner interesting lesson light living look material means mechanical memory method mind moment moments mood move muscles nature necessary never object once ourselves Paul performance person physical play possible prepared produced question reason remember result role scene seemed sensations sense soul stage subconscious suggested suppose tell theatre things thought Tortsov tried true truth turn understand units vanya whole wish