How can the glintin sun shine bright? Or birdies deign The woods, and streams, and vales to chide? J. W. H. If she be gone, the world, in my esteem, John Crown. Thus absence dies, and dying proves That do partake of fair perfection; VIOLET....Modest Worth. Suckling. THE Violet has always been a favourite theme of admiration among visitors of Parnassus. Its quiet beauty and love of retired spots have ever made it the emblem of true worth that shrinks from parade. It is one of the first children of spring, and awakens pleasing emotions in the breast of the lover of the beautiful, as he strolls through the meadows in the season of joy. Ion, the Greek name of this flower, is traced by some etymologists to Ia, the daughter of Midas, who was be trothed to Atys, and changed by Diana into a Violet, to hide her from Apollo. A woman's love, deep in the heart, Is like the Violet flower, That lifts its modest head apart The maid whose manners are retired, Pansies, Lilies, Kingcups, Daisies, Primroses will have their glory; They will have a place in story: Eyes of some men travel far For the finding of a star; Up and down the heavens they go, Anon. Paulding. I'm as great as they, I trow, Since the day I found thee out, Bold, and lavish of thyself, Since we needs must first have met 'Twas a face I did not know: Ere a leaf is on the bush, In the time before the thrush Thou wilt come with half a call, Telling tales about the sun, When there's little warmth or none. Wordsworth. Shakspeare regarded the Violet as the emblem of constancy, as the following occurs in one of his sonnets:— Violet is for faithfulness, Which in me shall abide; Hoping, likewise, that from your heart You will not let it slide. Shakspeare. The Violet in her greenwood bower, In glen, or copse, or forest dingle. Under the hedge all safe and warm, With each small eye Closely shut while the cold goes by. Scott. You look at the bank, mid the biting frost, For a sunny day, And you'll find us again, alive and gay. You'll find us crowding, in days like these; And white ones too, Peep at the sun, and wait for you. By maids and matrons, by old and young, When his sightless eyes He turns to the spot where our perfumes rise. And cottage small— For we're sought, and cherished, and culled by all. Yet grand parterres and stiff trimmed beds We'd rather run, In shadow and sun, O'er the banks where our merry lives first begun. There, where the Birken bough's silvery shine Gleams over the hawthorn and frail woodbine, Moss, deep and green, Lies thick, between The plots where we Violet-flowers are seen. Is rare, I trow, Save on the banks where Violets grow. Louisa A. Twamley. I know where bloom some Violets in a bed I often pass that way, and look on them, Esteem them more than robe or diadem Of haughty kings. A babe, or bird, or flower Hath o'er the soul a most despotic power. The tearful eye of infancy oppressed— A flower down-trodden by the foot of spite— Awaken sighs of sorrow in the breast, Or nerve the arm to vindicate their right. MacKellar. |