Shakespeare and the Reason: A Study of the Tragedies and the Problem Plays'Mr Hawkes is a good critic, oriented towards history of ideas. He operates on the formula that Shakespeare was interested in the available distinctions between discursive and intuitive reason, and disliked a growing tendency for the first to be thought of as manly and the second effeminate. One sees how this action-contemplation polarity works, in Hamlet for instance, and Mr Hawkes thinks the kind of choices forced on tragic heroes can be better understood in terms of it.' Frank Kermode, New Statesman. In the seven plays on which the book concentrates, Terence Hawkes finds Shakespeare investigating the operation of two opposed forms of reason, and constructing dramatic metaphors such as the opposition between appearance and reality, or that between true 'manliness' and its false counterpart, which express to the full the tragic nature of the situation. |
From inside the book
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Page ix
... argument will depend to a great extent on a close reading of them. An attempt has been made first of all to place the plays in a context of concomitant ideas in order that certain of their elements may be thrown into relief. The ideas ...
... argument will depend to a great extent on a close reading of them. An attempt has been made first of all to place the plays in a context of concomitant ideas in order that certain of their elements may be thrown into relief. The ideas ...
Page x
... de-personalised', they exhibit nonetheless an antipathy towards much that we might in other circumstances find admirable in his own period. A good deal of the argument of these plays could be considered, if shallowly, to embody a X Preg' ...
... de-personalised', they exhibit nonetheless an antipathy towards much that we might in other circumstances find admirable in his own period. A good deal of the argument of these plays could be considered, if shallowly, to embody a X Preg' ...
Page 1
... arguments against it by pointing to the same lack of 'ultimate justification' for the terms, and by denying the existence amongst the Elizabethans of the concepts to which they refer. As J. C. Maxwell puts it, '. . . the notion of a ...
... arguments against it by pointing to the same lack of 'ultimate justification' for the terms, and by denying the existence amongst the Elizabethans of the concepts to which they refer. As J. C. Maxwell puts it, '. . . the notion of a ...
Page 3
... arguing that they were significant both for him and for his audience. Moreover, the way in which the plays deal with these concepts may also illuminate them; a 'two-way' interchange takes place in such matters which considerations of ...
... arguing that they were significant both for him and for his audience. Moreover, the way in which the plays deal with these concepts may also illuminate them; a 'two-way' interchange takes place in such matters which considerations of ...
Page 5
... argument; it can watch a play where we would lOok for facts and figures. Because Shakespearean drama depends so heavily on language of a metaphorical kind, because it is poetic drama, the modern critic who talks about it has in effect ...
... argument; it can watch a play where we would lOok for facts and figures. Because Shakespearean drama depends so heavily on language of a metaphorical kind, because it is poetic drama, the modern critic who talks about it has in effect ...
Contents
1 | |
2 Hamlet | 39 |
3
The Problem Plays | 72 |
4
Othello | 100 |
5
Macbeth | 124 |
6 King Lear | 160 |
Conclusion | 194 |
Index | 203 |
Other editions - View all
Shakespeare and the Reason: A Study of the Tragedies and the Problem Plays Terence Hawkes Limited preview - 2004 |
Shakespeare and the Reason: A Study of the Tragedies and the Problem Plays Terence Hawkes Limited preview - 2013 |
Shakespeare and the Reason: A Study of the Tragedies and the Problem Plays Terence Hawkes No preview available - 2013 |
Common terms and phrases
acceptance action Alfred Harbage Angels appearance and reality Aquinas argument becomes Bertram Brabantio Claudius Claudius’s confined conflict Cordelia Court Cressida death deceived Desdemona devilish discursive divine dramatic Duncan’s Edgar Edmund Elizabethan equivocation evil express fact faculty final finally finds first Fool fulfil Ghost Gloucester God’s Goneril Goneril and Regan Hamlet heaven higher honour human Iago Iago’s idea involves Isabella kind King Lear L. C. Knights Lady Macbeth later Lear’s lies London madness man’s manliness means Measure for Measure mercy metaphor mind mind’s mode murder nature Neo-platonic Nevertheless non-rational notion opposed opposition Othello perhaps play’s plot Polonius problem plays prophecies rational reason and intuition reflect result reveals role says scientific seems sense Shakespeare significance Significantly situation sort soul speaks speech spiritual stage structure suggests things thinking thou tragedy tragic Troilus Troilus and Cressida truth values Wilson Knight Witches words