Aesthetics and Gender in American Literature: Portraits of the Woman ArtistThis study demonstrates how popular women writers used the female visual artist as their alter ego to renegotiate the boundaries between high and low culture. The figure of the professional woman painter allowed women writers to critique the dominant aesthetic and scientific theories that categorized women and an ethnically configured lower class as artistically and intellectually inferior to an elite, male-defined figure of the Romantic artist-as-genius. Illustrated. |
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Page 51
... picture . Gertrude's " own picture , " however , has not been described to the reader . The only picture thus far described in the novel is the narrator's verbal portrait of Gertrude , which therefore becomes a sort of self - portrait ...
... picture . Gertrude's " own picture , " however , has not been described to the reader . The only picture thus far described in the novel is the narrator's verbal portrait of Gertrude , which therefore becomes a sort of self - portrait ...
Page 125
... pictures . " 17 Albert Ryder , a late nineteenth - century American artist who was greatly influenced by European art ... picture that I just wanted to sit and look at " ( The Awakening , 17 ) . This scene in particular mirrors the ...
... pictures . " 17 Albert Ryder , a late nineteenth - century American artist who was greatly influenced by European art ... picture that I just wanted to sit and look at " ( The Awakening , 17 ) . This scene in particular mirrors the ...
Page 146
... pictures to explain that “ one must look past the central figures " and " their typical attitudes and symbolical dress " in order to “ catch a glimpse of the life amid which the painting originated , " the " real picture , the picture ...
... pictures to explain that “ one must look past the central figures " and " their typical attitudes and symbolical dress " in order to “ catch a glimpse of the life amid which the painting originated , " the " real picture , the picture ...
Contents
Acknowledgments | 7 |
1 | 19 |
Cultural Reproduction and the Female Copyist | 27 |
Copyright | |
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Aesthetics and Gender in American Literature: Portraits of the Woman Artist Deborah Barker No preview available - 2000 |
Common terms and phrases
ability Adèle aesthetic African-American Angela audience Avis's Awakening beauty Cassatt century Chopin color copyist Couture create critics critique cultural mediators depiction desire Diana and Persis domestic E. D. E. N. Southworth Edith Wharton Edna Edna's elite Elizabeth Stuart Phelps explains eyes Fauset female artist feminine feminist Fern and Southworth Fern's fiction flâneur Fourteenth Street gaze gender Gertrude Harlem Renaissance Harper Hawthorne Hawthorne's heroine Hilda House of Mirth Ibid Indiana University Press intellectual Iola Iola Leroy Künstlerroman Lily Lily's literary literature Louisa May Alcott Madonna male Marble Faun masculine mass mechanical reproduction middle-class Miriam mother motherhood narrative nature Negro nineteenth-century Noémie novel Oxford painting Percy Percy's Phelps Phelps's Philip picture Plum Bun portrait race racial uplift reading realistic relationship role Romantic scene sentimental sexual social Sphinx Story of Avis sublime tableaux vivants Theodora tion tradition vision visual Vivia Wharton woman artist woman painter women writers York