Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 165
And if you seat yourself so as to talk directly into it , you will be in the best position for projecting your voice over the air . You will be speaking " on the beam . " Now just be comfortable and relax . Unbutton the collar of your ...
And if you seat yourself so as to talk directly into it , you will be in the best position for projecting your voice over the air . You will be speaking " on the beam . " Now just be comfortable and relax . Unbutton the collar of your ...
Page 166
We give away the fact that we are reading , not talking in a natural conversational manner . ... We should not like to feel that our friends choose each word with the utmost circumspection when they talk to us .
We give away the fact that we are reading , not talking in a natural conversational manner . ... We should not like to feel that our friends choose each word with the utmost circumspection when they talk to us .
Page 449
Can you tell me whether one Launcelot , that dwells with him , dwell with him or no ? LAUNCELOT . Talk you of young Master Launcelot ? ( Aside . ) Mark me now ; now will I raise the waters . Talk you of young Master Launcelot ? GOBBO .
Can you tell me whether one Launcelot , that dwells with him , dwell with him or no ? LAUNCELOT . Talk you of young Master Launcelot ? ( Aside . ) Mark me now ; now will I raise the waters . Talk you of young Master Launcelot ? GOBBO .
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Contents
CHAPTER PAGE | 1 |
THE PROVINCES OF THE READER THE ACTOR AND | 13 |
Walt Whitman Vocalism | 38 |
Copyright | |
45 other sections not shown
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
American audience become begin better breath Browning called CHAPTER characters CHORUS comes common Company course dead effect emotion English example experience expression eyes face fact father feel five give hand hear heart human idea important interest John language less light listeners literature living look Lord marked material matter meaning method mind natural never once passage pause person phrase play poem poetry practice preacher present problem pronunciation question radio reader recital remember rhythm Robert Robin Hood selection sense sentence sermon sound speaker speaking speech stand story student talk tell thing thought tongue understand unto voice whole words writing York young