Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 165
... talk directly into it , you will be in the best position for pro- jecting your voice over the air . You will be speaking " on the beam . " Now just be comfortable and relax . Unbutton the collar of your shirt and imagine that you are ...
... talk directly into it , you will be in the best position for pro- jecting your voice over the air . You will be speaking " on the beam . " Now just be comfortable and relax . Unbutton the collar of your shirt and imagine that you are ...
Page 166
... talk to the side of the microphone . 10. We read to the manuscript instead of to the microphone . 11. We breathe too noticeably , because excitement has dis- turbed our normal breathing . 12. We give away the fact that we are reading ...
... talk to the side of the microphone . 10. We read to the manuscript instead of to the microphone . 11. We breathe too noticeably , because excitement has dis- turbed our normal breathing . 12. We give away the fact that we are reading ...
Page 449
... Talk you of young Master Launcelot ? ( Aside . ) Mark me now ; now will I raise the waters . Talk you of young Master Launcelot ? GOBBO . No Master , sir , but a poor man's son : his father , though I say't , is an honest , exceeding ...
... Talk you of young Master Launcelot ? ( Aside . ) Mark me now ; now will I raise the waters . Talk you of young Master Launcelot ? GOBBO . No Master , sir , but a poor man's son : his father , though I say't , is an honest , exceeding ...
Contents
CHAPTER PAGE | 1 |
THE PROVINCES OF THE READER THE ACTOR AND | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor Alfred Lord Tennyson American audience breath characters choral CHORUS common Company course DEVIZES dictionary diphthong effect EMILY emotion English Ernie Pyle experience expression eyes father feel give Gunga Din Hamlet hand HARDCASTLE hear human idea interest Jesse James John John Galsworthy listeners literature living look Lord Lowell Thomas MACBETH MATERIAL FOR CHAPTER meaning mind mouth never oral reading passage pause person PHILIP phrase play poem poet poetry PRACTICE MATERIAL prayer preacher preaching problems pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Scene selection sense sentence sermon SHYLOCK SOLO sound speaker speaking speech story student syllable talk tell thee thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét Winston Churchill words writing York young