Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 158
... speak over the radio with the bright glittering artificiality then thought proper even for a news commentator . He would insist on speaking like a man . During 1934 and 1935 Columbia let him speak like a man , analyzing foreign affairs ...
... speak over the radio with the bright glittering artificiality then thought proper even for a news commentator . He would insist on speaking like a man . During 1934 and 1935 Columbia let him speak like a man , analyzing foreign affairs ...
Page 169
... speak hurriedly and nervously - with nervous haste ? 4. Do you use pauses to bring out the thought ? 5. Do you speak spontaneously , as if you were ad - libbing ? 6. Do you speak as if you were speaking to someone ? 7. Do you put ...
... speak hurriedly and nervously - with nervous haste ? 4. Do you use pauses to bring out the thought ? 5. Do you speak spontaneously , as if you were ad - libbing ? 6. Do you speak as if you were speaking to someone ? 7. Do you put ...
Page 472
... Speaking Arrangements for High Schools ( Bos- ton : Expression Company , 1937 ) . De Banke , Cécile , The Art of Choral Speaking ( Boston : Baker's Plays , 1937 ) ... Speak Chorally ( Boston 472 SUGGESTED Reading in the Field of CHORAL READING.
... Speaking Arrangements for High Schools ( Bos- ton : Expression Company , 1937 ) . De Banke , Cécile , The Art of Choral Speaking ( Boston : Baker's Plays , 1937 ) ... Speak Chorally ( Boston 472 SUGGESTED Reading in the Field of CHORAL READING.
Contents
CHAPTER PAGE | 1 |
THE PROVINCES OF THE READER THE ACTOR AND | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor Alfred Lord Tennyson American audience breath characters choral CHORUS common Company course DEVIZES dictionary diphthong effect EMILY emotion English Ernie Pyle experience expression eyes father feel give Gunga Din Hamlet hand HARDCASTLE hear human idea interest Jesse James John John Galsworthy listeners literature living look Lord Lowell Thomas MACBETH MATERIAL FOR CHAPTER meaning mind mouth never oral reading passage pause person PHILIP phrase play poem poet poetry PRACTICE MATERIAL prayer preacher preaching problems pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Scene selection sense sentence sermon SHYLOCK SOLO sound speaker speaking speech story student syllable talk tell thee thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét Winston Churchill words writing York young