Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 1
... Radio Communication by telephone and radio has had a noticeable impact upon the art of speech . Just as the radio has made speakers and audiences more conscious of the importance of split timing , so has it sharpened their perceptions ...
... Radio Communication by telephone and radio has had a noticeable impact upon the art of speech . Just as the radio has made speakers and audiences more conscious of the importance of split timing , so has it sharpened their perceptions ...
Page 156
... radio speaking . One reason why many radio programs now have a studio audience is to help the speakers get the necessary feeling of direct communication . The listener's interest is sustained for a longer period when he is seated with ...
... radio speaking . One reason why many radio programs now have a studio audience is to help the speakers get the necessary feeling of direct communication . The listener's interest is sustained for a longer period when he is seated with ...
Page 158
... radio announcers who first gained prominence in this new profession . Like Milton Cross , he had originally been trained for the concert platform . Singing lessons , though not absolutely necessary for the radio speaker , can be helpful ...
... radio announcers who first gained prominence in this new profession . Like Milton Cross , he had originally been trained for the concert platform . Singing lessons , though not absolutely necessary for the radio speaker , can be helpful ...
Contents
CHAPTER PAGE | 1 |
THE PROVINCES OF THE READER THE ACTOR AND | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor Alfred Lord Tennyson American audience breath characters choral CHORUS common Company course DEVIZES dictionary diphthong effect EMILY emotion English Ernie Pyle experience expression eyes father feel give Gunga Din Hamlet hand HARDCASTLE hear human idea interest Jesse James John John Galsworthy listeners literature living look Lord Lowell Thomas MACBETH MATERIAL FOR CHAPTER meaning mind mouth never oral reading passage pause person PHILIP phrase play poem poet poetry PRACTICE MATERIAL prayer preacher preaching problems pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Scene selection sense sentence sermon SHYLOCK SOLO sound speaker speaking speech story student syllable talk tell thee thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét Winston Churchill words writing York young