Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
From inside the book
Results 1-3 of 94
Page 187
From THE STUDY OF POETRY Matthew Arnold ' The future of poetry is immense , because in poetry , where it is worthy of its high destinies , our race , as time goes on , will find an ever surer and surer stay . There is not a creed which ...
From THE STUDY OF POETRY Matthew Arnold ' The future of poetry is immense , because in poetry , where it is worthy of its high destinies , our race , as time goes on , will find an ever surer and surer stay . There is not a creed which ...
Page 194
The most striking feature of Old Testament poetry is its method of balancing the two halves of a line , or often two complete lines . This fundamental principle and practice , which is shown ...
The most striking feature of Old Testament poetry is its method of balancing the two halves of a line , or often two complete lines . This fundamental principle and practice , which is shown ...
Page 197
It must be remembered always not only that we are dependent upon a translation for our study of biblical poetry , but also that the great translators themselves could not always discover or ascertain the original poetic form of many of ...
It must be remembered always not only that we are dependent upon a translation for our study of biblical poetry , but also that the great translators themselves could not always discover or ascertain the original poetic form of many of ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
CHAPTER PAGE | 1 |
THE PROVINCES OF THE READER THE ACTOR AND | 13 |
Walt Whitman Vocalism | 38 |
Copyright | |
45 other sections not shown
Other editions - View all
Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
American audience become begin better breath Browning called CHAPTER characters CHORUS comes common Company course dead effect emotion English example experience expression eyes face fact father feel five give hand hear heart human idea important interest John language less light listeners literature living look Lord marked material matter meaning method mind natural never once passage pause person phrase play poem poetry practice preacher present problem pronunciation question radio reader recital remember rhythm Robert Robin Hood selection sense sentence sermon sound speaker speaking speech stand story student talk tell thing thought tongue understand unto voice whole words writing York young