Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 7
... Look up from the book occasionally . Be so familiar with the selection that you can do this with impunity . Make use of those fine in- struments of expression and communication , the eyes . To be sure , such reading demands preparation ...
... Look up from the book occasionally . Be so familiar with the selection that you can do this with impunity . Make use of those fine in- struments of expression and communication , the eyes . To be sure , such reading demands preparation ...
Page 26
... Look for these , and when you read them , give them the proper vocal treatment . Transitional sentences look forward and back . They are valuable to the interpreter , for they help him keep in mind the forward marching of ideas from one ...
... Look for these , and when you read them , give them the proper vocal treatment . Transitional sentences look forward and back . They are valuable to the interpreter , for they help him keep in mind the forward marching of ideas from one ...
Page 437
... look ? HAMLET . On him , on him ! Look you , how pale he glares ! His form and cause conjoin'd , preaching to stones , Would make them capable . Do not look upon me ; Lest with this piteous action you convert My stern effects : then ...
... look ? HAMLET . On him , on him ! Look you , how pale he glares ! His form and cause conjoin'd , preaching to stones , Would make them capable . Do not look upon me ; Lest with this piteous action you convert My stern effects : then ...
Contents
CHAPTER PAGE | 1 |
THE PROVINCES OF THE READER THE ACTOR AND | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor Alfred Lord Tennyson American audience breath characters choral CHORUS common Company course DEVIZES dictionary diphthong effect EMILY emotion English Ernie Pyle experience expression eyes father feel give Gunga Din Hamlet hand HARDCASTLE hear human idea interest Jesse James John John Galsworthy listeners literature living look Lord Lowell Thomas MACBETH MATERIAL FOR CHAPTER meaning mind mouth never oral reading passage pause person PHILIP phrase play poem poet poetry PRACTICE MATERIAL prayer preacher preaching problems pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Scene selection sense sentence sermon SHYLOCK SOLO sound speaker speaking speech story student syllable talk tell thee thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét Winston Churchill words writing York young