Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 71
... listener to comprehend the meaning of the author . It is a truism that unless you understand the passage yourself you cannot make your listener understand it . Unless you understand the implications , the hidden meanings , the ...
... listener to comprehend the meaning of the author . It is a truism that unless you understand the passage yourself you cannot make your listener understand it . Unless you understand the implications , the hidden meanings , the ...
Page 115
... listener finds the most enjoyable entertainment . And it is in wielding this power of drawing laughter or tears from ... listeners . Go to the platform in this state of mind : " I have a good story I'm sure you will like . I want to ...
... listener finds the most enjoyable entertainment . And it is in wielding this power of drawing laughter or tears from ... listeners . Go to the platform in this state of mind : " I have a good story I'm sure you will like . I want to ...
Page 156
... listener's attentiveness stimulates the speaker . In listening to the radio at home , however , the listener seldom plants himself before it and gives it his uninhibited attention . Often he car- ries on a partial conversation with ...
... listener's attentiveness stimulates the speaker . In listening to the radio at home , however , the listener seldom plants himself before it and gives it his uninhibited attention . Often he car- ries on a partial conversation with ...
Contents
CHAPTER PAGE | 1 |
THE PROVINCES OF THE READER THE ACTOR AND | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
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accent actor Alfred Lord Tennyson American audience breath characters choral CHORUS common Company course DEVIZES dictionary diphthong effect EMILY emotion English Ernie Pyle experience expression eyes father feel give Gunga Din Hamlet hand HARDCASTLE hear human idea interest Jesse James John John Galsworthy listeners literature living look Lord Lowell Thomas MACBETH MATERIAL FOR CHAPTER meaning mind mouth never oral reading passage pause person PHILIP phrase play poem poet poetry PRACTICE MATERIAL prayer preacher preaching problems pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Scene selection sense sentence sermon SHYLOCK SOLO sound speaker speaking speech story student syllable talk tell thee thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét Winston Churchill words writing York young