Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 1
... Importance , Nature , and Function of Oral Reading I. IMPORTANCE A. The Age of Radio B. The Two Arts Unite II . NATURE A ... important it is to learn how to read aloud . Moreover , radio - educated ears , at- tuned to the smooth cadences ...
... Importance , Nature , and Function of Oral Reading I. IMPORTANCE A. The Age of Radio B. The Two Arts Unite II . NATURE A ... important it is to learn how to read aloud . Moreover , radio - educated ears , at- tuned to the smooth cadences ...
Page 54
... important phrases are voiced . The eyes are important in holding attention . Use them to full effect ; gaze directly at your audience when you wish to emphasize the importance of what you are saying . Be so well versed in your selection ...
... important phrases are voiced . The eyes are important in holding attention . Use them to full effect ; gaze directly at your audience when you wish to emphasize the importance of what you are saying . Be so well versed in your selection ...
Page 259
... important . It is important be- cause there is no such thing as repetition . Everybody tells every story in about the same way . You know perfectly well that when you and your room - mate tell something , you are telling the same story ...
... important . It is important be- cause there is no such thing as repetition . Everybody tells every story in about the same way . You know perfectly well that when you and your room - mate tell something , you are telling the same story ...
Contents
CHAPTER PAGE | 1 |
THE PROVINCES OF THE READER THE ACTOR AND | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor Alfred Lord Tennyson American audience breath characters choral CHORUS common Company course DEVIZES dictionary diphthong effect EMILY emotion English Ernie Pyle experience expression eyes father feel give Gunga Din Hamlet hand HARDCASTLE hear human idea interest Jesse James John John Galsworthy listeners literature living look Lord Lowell Thomas MACBETH MATERIAL FOR CHAPTER meaning mind mouth never oral reading passage pause person PHILIP phrase play poem poet poetry PRACTICE MATERIAL prayer preacher preaching problems pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Scene selection sense sentence sermon SHYLOCK SOLO sound speaker speaking speech story student syllable talk tell thee thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét Winston Churchill words writing York young