Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 187
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine il- lusion . Poetry attaches its emotion to the ...
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine il- lusion . Poetry attaches its emotion to the ...
Page 202
... fact that Mr. Alda didn't look the part . Indeed , a true resemblance is sometimes an artistic bane , since an actor too heavily made up is likely to look grotesque , especially a familiar actor representing a not - too - familiar man ...
... fact that Mr. Alda didn't look the part . Indeed , a true resemblance is sometimes an artistic bane , since an actor too heavily made up is likely to look grotesque , especially a familiar actor representing a not - too - familiar man ...
Page 212
... fact a standardizing influence . In the introduction to his " World Words " Professor Greet gives us more specific information regarding the standards he employs . He seems largely to rely upon the averaging of the advice of a large num ...
... fact a standardizing influence . In the introduction to his " World Words " Professor Greet gives us more specific information regarding the standards he employs . He seems largely to rely upon the averaging of the advice of a large num ...
Contents
CHAPTER PAGE | 1 |
THE PROVINCES OF THE READER THE ACTOR AND | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
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accent actor Alfred Lord Tennyson American audience breath characters choral CHORUS common Company course DEVIZES dictionary diphthong effect EMILY emotion English Ernie Pyle experience expression eyes father feel give Gunga Din Hamlet hand HARDCASTLE hear human idea interest Jesse James John John Galsworthy listeners literature living look Lord Lowell Thomas MACBETH MATERIAL FOR CHAPTER meaning mind mouth never oral reading passage pause person PHILIP phrase play poem poet poetry PRACTICE MATERIAL prayer preacher preaching problems pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Scene selection sense sentence sermon SHYLOCK SOLO sound speaker speaking speech story student syllable talk tell thee thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét Winston Churchill words writing York young