Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 14
... emotions implicit in a passage and all the outward manifestations of voice and body will take care of themselves . But ... emotion in question requires a low and heavy quality of voice ? No , the voice becomes a responsive instrument fit ...
... emotions implicit in a passage and all the outward manifestations of voice and body will take care of themselves . But ... emotion in question requires a low and heavy quality of voice ? No , the voice becomes a responsive instrument fit ...
Page 45
... emotional tones is due to lack of experience in the business of living itself , or to a lack of imagi- native ... emotion that should accompany the reading of a particular passage . To develop range of emotional feeling , practice ...
... emotional tones is due to lack of experience in the business of living itself , or to a lack of imagi- native ... emotion that should accompany the reading of a particular passage . To develop range of emotional feeling , practice ...
Page 101
... emotion demands must be communicated to the audience . Time must be given them to sound the depths of the emotion being portrayed . A strikingly dramatic instance of the emotional effect the pause can create was witnessed when the ...
... emotion demands must be communicated to the audience . Time must be given them to sound the depths of the emotion being portrayed . A strikingly dramatic instance of the emotional effect the pause can create was witnessed when the ...
Contents
CHAPTER PAGE | 1 |
THE PROVINCES OF THE READER THE ACTOR AND | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor Alfred Lord Tennyson American audience breath characters choral CHORUS common Company course DEVIZES dictionary diphthong effect EMILY emotion English Ernie Pyle experience expression eyes father feel give Gunga Din Hamlet hand HARDCASTLE hear human idea interest Jesse James John John Galsworthy listeners literature living look Lord Lowell Thomas MACBETH MATERIAL FOR CHAPTER meaning mind mouth never oral reading passage pause person PHILIP phrase play poem poet poetry PRACTICE MATERIAL prayer preacher preaching problems pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Scene selection sense sentence sermon SHYLOCK SOLO sound speaker speaking speech story student syllable talk tell thee thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét Winston Churchill words writing York young