Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 176
the better . In other words , the reader should be not an exhibitionist , but a conveyer of the truth , the real meaning of what he reads . As such , the more he fades into the background and lets the author speak , the better .
the better . In other words , the reader should be not an exhibitionist , but a conveyer of the truth , the real meaning of what he reads . As such , the more he fades into the background and lets the author speak , the better .
Page 246
When we read a poem , we do not want to be made to think how much better the same thing could be done in a different medium . There is nothing so salutary in keeping an art to its proper task as a flourishing condition of the other arts ...
When we read a poem , we do not want to be made to think how much better the same thing could be done in a different medium . There is nothing so salutary in keeping an art to its proper task as a flourishing condition of the other arts ...
Page 308
Though I've belted you and flayed you , By the livin ' Gawd that made you , You're a better man than I am , Gunga Din ! TOMMY Rudyard Kipling I went into a public - ' ouse to get a pint o ' beer , The publican ' e up an ' sez ...
Though I've belted you and flayed you , By the livin ' Gawd that made you , You're a better man than I am , Gunga Din ! TOMMY Rudyard Kipling I went into a public - ' ouse to get a pint o ' beer , The publican ' e up an ' sez ...
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Contents
CHAPTER PAGE | 1 |
THE PROVINCES OF THE READER THE ACTOR AND | 13 |
Walt Whitman Vocalism | 38 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
American audience become begin better breath Browning called CHAPTER characters CHORUS comes common Company course dead effect emotion English example experience expression eyes face fact father feel five give hand hear heart human idea important interest John language less light listeners literature living look Lord marked material matter meaning method mind natural never once passage pause person phrase play poem poetry practice preacher present problem pronunciation question radio reader recital remember rhythm Robert Robin Hood selection sense sentence sermon sound speaker speaking speech stand story student talk tell thing thought tongue understand unto voice whole words writing York young