Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 29Gale Research Company, 1984 - 421 pages This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Page 32
... thought to have been made by his claw at the time the pact was entered into and strongly emphasized by Bodin , is denied : " These indications are empty , absurd , and friv- olous and are to be rejected , not admitted , as contrary to ...
... thought to have been made by his claw at the time the pact was entered into and strongly emphasized by Bodin , is denied : " These indications are empty , absurd , and friv- olous and are to be rejected , not admitted , as contrary to ...
Page 92
... thought of Plato becomes a thought to me , - when a truth that fired the soul of Pindar fires mine , time is no more . The immediate background for what follows formed itself in an unpredicted interaction of two seminars I was teach ...
... thought of Plato becomes a thought to me , - when a truth that fired the soul of Pindar fires mine , time is no more . The immediate background for what follows formed itself in an unpredicted interaction of two seminars I was teach ...
Page 145
... thought ( though some analyses seem not to catch what Knights . called ' the completeness [ of ] his final identification with . evil ' ) or a better man than other men have thought ( though he is remarkably endowed with aspects of ...
... thought ( though some analyses seem not to catch what Knights . called ' the completeness [ of ] his final identification with . evil ' ) or a better man than other men have thought ( though he is remarkably endowed with aspects of ...
Contents
Magic and the Supernatural | 1 |
A Midsummer Nights Dream | 174 |
Cumulative Index to Topics | 404 |
Copyright | |
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Common terms and phrases
action appear Ariel audience authority become beginning believe Caliban called character claim course critics death Demetrius described desire devil effect Elizabethan English evil example experience expression eyes fact fairies father fear feel Ferdinand figure final force give hand Helena Hermia human idea imagination important interest island kind King knowledge Lady Macbeth later least less lines live look lovers Lysander Macbeth magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature never once opening peare performance perhaps person play play's possible present Prospero Queen question reason relation response scene seems sense Shakespeare speak speech spirits stage suggests symbolic tells Tempest Theseus things thought tion tradition tragedy true turn witchcraft witches woman women