Medicine Bundle: Indian Sacred Performance and American Literature, 1824-1932Medicine Bundle Indian Sacred Performance and American Literature, 1824-1932 Joshua David Bellin "An excellent book about the way in which performance constitutes (rather than merely reflects) cultural differences between and among Native American and Anglo-American peoples."--Joseph Roach, Yale University "Bellin's important book challenges readers to rethink questions of colonization and acculturation. . . . Highly recommended. "--"Choice" From the 1820s to the 1930s, Christian missionaries and federal agents launched a continent-wide assault against Indian sacred dance, song, ceremony, and healing ritual in an attempt to transform Indian peoples into American citizens. In spite of this century-long religious persecution, Native peoples continued to perform their sacred traditions and resist the foreign religions imposed on them, as well as to develop new practices that partook of both. At the same time, some whites began to explore Indian performance with interest, and even to promote Indian sacred traditions as a source of power for their own society. The varieties of Indian performance played a formative role in American culture and identity during a critical phase in the nation's development. In "Medicine Bundle," Joshua David Bellin examines the complex issues surrounding Indian sacred performance in its manifold and intimate relationships with texts and images by both Indians and whites. From the paintings of George Catlin, the traveling showman who exploited Indian ceremonies for the entertainment of white audiences, to the autobiography of Black Elk, the Lakota holy man whose long life included stints as a dancer in Buffalo Bill's Wild West show, a supplicant in the Ghost Dance movement, and a catechist in the Catholic Church, Bellin reframes American literature, culture, and identity as products of encounter with diverse performance traditions. Like the traditional medicine bundle of sacred objects bound together for ritual purposes, Indian performance and the performance of Indianness by whites and Indians alike are joined in a powerful intercultural knot. Joshua David Bellin is a member of the faculty of La Roche College and the author of "The Demon of the Continent: Indians and the Shaping of American Literature," also available from the University of Pennsylvania Press. 2007 272 pages 6 x 9 ISBN 978-0-8122-4034-4 Cloth $59.95s 39.00 World Rights Literature, Native American Studies, Cultural Studies Short copy: Joshua David Bellin examines the complex issues surrounding Indian sacred performance in its manifold and intimate relationships with texts and images by both Indians and whites. |
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Medicine Bundle: Indian Sacred Performance and American Literature, 1824-1932 Joshua David Bellin No preview available - 2008 |
Common terms and phrases
acts American Indian Apess argues artist audience autobiography Bear’s Bill’s Wild West Black Elk Speaks Boudinot Brown’s Buffalo Bill’s Wild Catharine Catharine Brown ceremony Chero Cherokee Nation Cherokee women Christian civilized claims Cody Cody’s context dancers Deloria dian discourse domestic Elias Boudinot Elk’s emergent Euro-American George Catlin Ghost Dance healing ideology imitation Indian and white Indian culture Indian dance Indian identity Indian medicine Indian performance Indian Removal Indian sacred performance indigenous intercultural intertribal Lakota Letters and Notes mance Mandan McLoughlin medicine bundle medicine show Memoir missionaries Mooney museum mystery Native American Neihardt Neolin nineteenth century Ojibwa okipa painted people’s Perdue Plains play political prophet race racial religion religious Removal representation revitalization rhetoric role Ross Ross’s sacred tradition savage Sioux Sitting Bull song spirit Standing Bear suggests Tenskwatawa tion tribal tribe University Press vision white man’s white medicine Wild West Shows Wovoka writes