The rhythms of English poetryExamines the way in which poetry in English makes use of rhythm. The author argues that there are three major influences which determine the verse-forms used in any language: the natural rhythm of the spoken language itself; the properties of rhythmic form; and the metrical conventions which have grown up within the literary tradition. He investigates these in order to explain the forms of English verse, and to show how rhythm and metre work as an essential part of the reader's experience of poetry. |
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Page 111
225) observes that there is an 'all but universal subjective impression that
trochaic verse has a rhythm which is more insistent, more distinct'. The mere fact
of perceptually grouping syllables in one way rather than another says nothing
about ...
225) observes that there is an 'all but universal subjective impression that
trochaic verse has a rhythm which is more insistent, more distinct'. The mere fact
of perceptually grouping syllables in one way rather than another says nothing
about ...
Page 195
Trochaic verse tends to avoid implied offbeats in any case, and their occurrence
after the first beat creates a markedly complex line, especially when there is no
compensating double offbeat. When trochaic inversion does occur, the line
usually ...
Trochaic verse tends to avoid implied offbeats in any case, and their occurrence
after the first beat creates a markedly complex line, especially when there is no
compensating double offbeat. When trochaic inversion does occur, the line
usually ...
Page 196
beginning and ending on a beat is a common one, and that trochaic verse which
insists on feminine endings, like Hiawatha, is rare and difficult to handle
successfully. Free variation between masculine and feminine endings, as in
iambic verse ...
beginning and ending on a beat is a common one, and that trochaic verse which
insists on feminine endings, like Hiawatha, is rare and difficult to handle
successfully. Free variation between masculine and feminine endings, as in
iambic verse ...
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Contents
LINGUISTIC APPROACHES | 28 |
THE RHYTHMS OF ENGLISH SPEECH | 59 |
THE FOURBEAT RHYTHM | 76 |
Copyright | |
8 other sections not shown
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Common terms and phrases
4x4 structure accentual-syllabic verse alternation anapaestic Bo Bo Ceolred classical approach common metre complex create David Abercrombie deviation discussion distinction double offbeat duple metre duple verse emphasis English metre English verse example falling rhythm five-beat line following line four-beat line four-beat rhythm four-beat verse function iambic pentameter implied offbeat initial inversion initial offbeat language linguistic literary metrical form metrical pattern metrical rules metrical set metrical structure metrical style metrical subordination metrical theory metrist movement nonstresses occur offbeat condition optional pause perceived perception phonetic phonological phrase poem poetic poetry poets pronunciation prosody reader reading rhyme rhythmic form rhythmic structure rhythmic unit scansion semantic sense sequence single offbeat speech rhythms stanza stress contour stress pattern stress-final pairing stress-initial pairing stress-timing stressed and unstressed strong syllable count syntactic break syntax tension tradition triple metre triple rhythm triple verse trochaic trochee underlying rhythm unrealised beat unstressed syllables words
References to this book
Bibliographic information
| Title | The rhythms of English poetry Volume 14 of English language series Issue 14 of Randolph Quirk |
| Author | Derek Attridge |
| Publisher | Longman, 1982 |
| Original from | the University of California |
| Digitized | 7 Mar 2008 |
| ISBN | 0582551056, 9780582551053 |
| Length | 395 pages |
| Subjects | › English language English language - Rhythm English language - Versification English language Rhythm English language Versification English language/ Rhythm English language/ Versification Literary Criticism / Poetry Poetry / English, Irish, Scottish, Welsh Poetry / General |
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