The rhythms of English poetryExamines the way in which poetry in English makes use of rhythm. The author argues that there are three major influences which determine the verse-forms used in any language: the natural rhythm of the spoken language itself; the properties of rhythmic form; and the metrical conventions which have grown up within the literary tradition. He investigates these in order to explain the forms of English verse, and to show how rhythm and metre work as an essential part of the reader's experience of poetry. |
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Page 44
... that is, occurring at the beginning of the word or occurring elsewhere in the
word; and [+PT] ('plus phrase-terminal') or [-PT] ('minus phrase-terminal'), that is,
occurring at the end of the syntactic phrase or occurring elsewhere in the phrase.
... that is, occurring at the beginning of the word or occurring elsewhere in the
word; and [+PT] ('plus phrase-terminal') or [-PT] ('minus phrase-terminal'), that is,
occurring at the end of the syntactic phrase or occurring elsewhere in the phrase.
Page 45
150) Rule 1 states that any syllable which is word-initial and not phrase-terminal,
and which occurs before a syllable which is stressed and also word-initial, is
regarded, for the purposes of the metre, as unstressed. Or, more simply, a
stressed ...
150) Rule 1 states that any syllable which is word-initial and not phrase-terminal,
and which occurs before a syllable which is stressed and also word-initial, is
regarded, for the purposes of the metre, as unstressed. Or, more simply, a
stressed ...
Page 258
(130) To shun the heaven that leads men to this hell B A B o (131) Bold nature
that gives common birth To all products of sea and earth B o B o There is no
danger of subordination in (127); both stresses take full weight, the final phrase
has the ...
(130) To shun the heaven that leads men to this hell B A B o (131) Bold nature
that gives common birth To all products of sea and earth B o B o There is no
danger of subordination in (127); both stresses take full weight, the final phrase
has the ...
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Contents
LINGUISTIC APPROACHES | 28 |
THE RHYTHMS OF ENGLISH SPEECH | 59 |
THE FOURBEAT RHYTHM | 76 |
Copyright | |
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Common terms and phrases
4x4 structure accentual-syllabic verse alternation anapaestic Bo Bo Ceolred classical approach common metre complex create David Abercrombie deviation discussion distinction double offbeat duple metre duple verse emphasis English metre English verse example falling rhythm five-beat line following line four-beat line four-beat rhythm four-beat verse function iambic pentameter implied offbeat initial inversion initial offbeat language linguistic literary metrical form metrical pattern metrical rules metrical set metrical structure metrical style metrical subordination metrical theory metrist movement nonstresses occur offbeat condition optional pause perceived perception phonetic phonological phrase poem poetic poetry poets pronunciation prosody reader reading rhyme rhythmic form rhythmic structure rhythmic unit scansion semantic sense sequence single offbeat speech rhythms stanza stress contour stress pattern stress-final pairing stress-initial pairing stress-timing stressed and unstressed strong syllable count syntactic break syntax tension tradition triple metre triple rhythm triple verse trochaic trochee underlying rhythm unrealised beat unstressed syllables words
References to this book
Bibliographic information
| Title | The rhythms of English poetry Volume 14 of English language series Issue 14 of Randolph Quirk |
| Author | Derek Attridge |
| Publisher | Longman, 1982 |
| Original from | the University of California |
| Digitized | 7 Mar 2008 |
| ISBN | 0582551056, 9780582551053 |
| Length | 395 pages |
| Subjects | › English language English language - Rhythm English language - Versification English language Rhythm English language Versification English language/ Rhythm English language/ Versification Literary Criticism / Poetry Poetry / English, Irish, Scottish, Welsh Poetry / General |
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