The Rhythms of English Poetry |
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Page 165
We arrive , therefore , at the first of the deviation rules , which allow the elements
of the metrical pattern to be realised in ways other than the simple ones
enshrined in the base rules . In formulating deviation rules , we shall for the time
being ...
We arrive , therefore , at the first of the deviation rules , which allow the elements
of the metrical pattern to be realised in ways other than the simple ones
enshrined in the base rules . In formulating deviation rules , we shall for the time
being ...
Page 205
By a simple metrical style we mean one in which the selection of deviation rules
produces a highly regular rhythmic alternation , and by a complex style one in
which regular alternation is frequently challenged . And we have ordered our
rules ...
By a simple metrical style we mean one in which the selection of deviation rules
produces a highly regular rhythmic alternation , and by a complex style one in
which regular alternation is frequently challenged . And we have ordered our
rules ...
Page 362
Derek Attridge. SO demotion implied offbeat •8 , 8 ; # 8 : double offbeat with
demotion triple offbeat Full scansion shows the stress pattern above the line , and
the metrical pattern with deviation symbols beneath it : ts - S ( s t s - S + s ( S ) - s
+ S ...
Derek Attridge. SO demotion implied offbeat •8 , 8 ; # 8 : double offbeat with
demotion triple offbeat Full scansion shows the stress pattern above the line , and
the metrical pattern with deviation symbols beneath it : ts - S ( s t s - S + s ( S ) - s
+ S ...
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Contents
TRADITIONAL APPROACHES | 3 |
LINGUISTIC APPROACHES | 30 |
THE RHYTHMS OF ENGLISH SPEECH | 59 |
Copyright | |
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Common terms and phrases
acceptable alliteration allow already alternation approach beat beginning chapter classical common complex conventions course create demands demotion deviation discussion distinction double offbeat duple effect emphasis English established example expect experience expressive fact falling final five-beat four four-beat function further give given hand iambic implied offbeat important indicate initial instance inversion kind language less linguistic literary means metre metrical pattern movement natural nonstresses noted observed occur opening optional pairing particular pause pentameter perceived perhaps phrase poem poetry poets position possible preference principle produces promotion pronunciation provides reader reading realisation reflect regular relationship result rhyme rhythm rhythmic rising rules scansion semantic sense sequence simple single sounds speech stanza stress strong structure subordination suggest syntactic tension theory third tradition triple trochaic underlying units unstressed syllables usually variation verse