The Wounded Body: Remembering the Markings of FleshAn almost obsessive interest in the human body in literary and psychological theory over the past ten years has uncovered not just the physical body but the body as metaphor, political emblem, social construction, and symptom. The Wounded Body builds on this recent interest in the body by providing an ambitious interdisciplinary exploration of the wounded body in literature from Homer to Toni Morrison. Guided by insights from phenomenology to Jungian archetypal psychology, Dennis Slattery argues that the body in its scarred, marked, diseased, tattooed, or otherwise afflicted state is not only an individual phenomenon but, in the hands of the poet, a cultural symptom, a place of suffering, as well as a way of seeing and ordering the experience of the one who is wounded. |
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Page 131
... voice thinks itself into being both through its experienced journey and the later narrative one that remembers the intricate plot . The narratives of Ishmael and Huck recall here the voice of the poet - pilgrim Dante Alighieri who ...
... voice thinks itself into being both through its experienced journey and the later narrative one that remembers the intricate plot . The narratives of Ishmael and Huck recall here the voice of the poet - pilgrim Dante Alighieri who ...
Page 204
... voice , like the voice of Echo to Narcissus in the myth . She has become in this meeting with her husband a wife with a voice but no flesh . We also see how the body and soul are one in Parker's life , for the arabesque- colored body is ...
... voice , like the voice of Echo to Narcissus in the myth . She has become in this meeting with her husband a wife with a voice but no flesh . We also see how the body and soul are one in Parker's life , for the arabesque- colored body is ...
Page 226
... voice than she has been given . " After Baby Suggs ' death , Beloved seems to accelerate her free rein to devour ... voice of Baby Suggs , guiding her as Beatrice guides Dante , or Athena Odysseus : “ Then what do I do ? " to which the ...
... voice than she has been given . " After Baby Suggs ' death , Beloved seems to accelerate her free rein to devour ... voice of Baby Suggs , guiding her as Beatrice guides Dante , or Athena Odysseus : “ Then what do I do ? " to which the ...
Contents
Nature and Narratives | 21 |
Wandering Wounds and Meandering Words | 51 |
Speak Daggers But Use None | 69 |
Copyright | |
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action Ahab Ahab's animal appetite archetypal autobiography Baby Suggs becomes begins believe Beloved boar body's Brothers Karamazov Carl Jung Christ Confessions consciousness corpse created cultural death deep deeply Denver desire destiny disease divine Dostoevsky embodied enfleshed epic explores father feel fiction figure Flannery O'Connor flesh Gaston Bachelard gestures Hamlet healing human icon imagination incarnation Ishmael Ivan Ilych Ivan's James Hillman Jean-Jacques Rousseau journey language lives marked Mary Grace matter memory metaphor mind Moby-Dick mother mystery myth mythic narcissism narrative nature novel O'Connor observation Odysseus Oedipus one's original Parker perhaps Peter Brooks Phaecians poetic pollution Polonius Polyphemos presence psyche psychological Queequeg reflection remembered reveals ritual Romanyshyn Rousseau Ruby Ruby's sacred Sarah Ruth scar Scheria sense Sethe Sethe's sewer soul spirit story suffering suggests tattooed things tion Toni Morrison Trans vision voice white whale words wounded body woundedness writes York Zosima's