The Wounded Body: Remembering the Markings of FleshAn almost obsessive interest in the human body in literary and psychological theory over the past ten years has uncovered not just the physical body but the body as metaphor, political emblem, social construction, and symptom. The Wounded Body builds on this recent interest in the body by providing an ambitious interdisciplinary exploration of the wounded body in literature from Homer to Toni Morrison. Guided by insights from phenomenology to Jungian archetypal psychology, Dennis Slattery argues that the body in its scarred, marked, diseased, tattooed, or otherwise afflicted state is not only an individual phenomenon but, in the hands of the poet, a cultural symptom, a place of suffering, as well as a way of seeing and ordering the experience of the one who is wounded. |
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Page 104
... eye of memory , maybe partly embellished , of the author of the autobiography . For he is , after all , reflecting ... eyes by focusing on her own defect and creating in her mind a figure of imperfection , a self - consciousness that ...
... eye of memory , maybe partly embellished , of the author of the autobiography . For he is , after all , reflecting ... eyes by focusing on her own defect and creating in her mind a figure of imperfection , a self - consciousness that ...
Page 108
... Eye , 100 ) , which for Rousseau meant to be able to pity others , to become others in their suffering , and to envision the world through their eyes . Sympathy de- mands that one see the other clearly , unfettered , or without the ...
... Eye , 100 ) , which for Rousseau meant to be able to pity others , to become others in their suffering , and to envision the world through their eyes . Sympathy de- mands that one see the other clearly , unfettered , or without the ...
Page 200
... eyes even assume the shape of those he will have revealed to him ; they take on an iconic form : “ As he continued to worry over it , his eyes took on a hollow , preoccupied expression " ( 520 ) . Before he has settled on the icon or ...
... eyes even assume the shape of those he will have revealed to him ; they take on an iconic form : “ As he continued to worry over it , his eyes took on a hollow , preoccupied expression " ( 520 ) . Before he has settled on the icon or ...
Contents
Nature and Narratives | 21 |
Wandering Wounds and Meandering Words | 51 |
Speak Daggers But Use None | 69 |
Copyright | |
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action Ahab Ahab's animal appetite archetypal autobiography Baby Suggs becomes begins believe Beloved boar body's Brothers Karamazov Carl Jung Christ Confessions consciousness corpse created cultural death deep deeply Denver desire destiny disease divine Dostoevsky embodied enfleshed epic explores father feel fiction figure Flannery O'Connor flesh Gaston Bachelard gestures Hamlet healing human icon imagination incarnation Ishmael Ivan Ilych Ivan's James Hillman Jean-Jacques Rousseau journey language lives marked Mary Grace matter memory metaphor mind Moby-Dick mother mystery myth mythic narcissism narrative nature novel O'Connor observation Odysseus Oedipus one's original Parker perhaps Peter Brooks Phaecians poetic pollution Polonius Polyphemos presence psyche psychological Queequeg reflection remembered reveals ritual Romanyshyn Rousseau Ruby Ruby's sacred Sarah Ruth scar Scheria sense Sethe Sethe's sewer soul spirit story suffering suggests tattooed things tion Toni Morrison Trans vision voice white whale words wounded body woundedness writes York Zosima's