The Wounded Body: Remembering the Markings of FleshAn almost obsessive interest in the human body in literary and psychological theory over the past ten years has uncovered not just the physical body but the body as metaphor, political emblem, social construction, and symptom. The Wounded Body builds on this recent interest in the body by providing an ambitious interdisciplinary exploration of the wounded body in literature from Homer to Toni Morrison. Guided by insights from phenomenology to Jungian archetypal psychology, Dennis Slattery argues that the body in its scarred, marked, diseased, tattooed, or otherwise afflicted state is not only an individual phenomenon but, in the hands of the poet, a cultural symptom, a place of suffering, as well as a way of seeing and ordering the experience of the one who is wounded. |
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Page 90
... creates is reflected . He then creates the response to him that he desires , telling us , for example , after he has related an unseemly or horrid event from his past , that we must now be disgusted , confused , sympathetic , or to feel ...
... creates is reflected . He then creates the response to him that he desires , telling us , for example , after he has related an unseemly or horrid event from his past , that we must now be disgusted , confused , sympathetic , or to feel ...
Page 95
... creates himself through the other by reading her behavior as nothing less than a mirroring of his own behavior and de- sires motivating him . And even to this day , in writing his autobiography so many years later , he continues to create ...
... creates himself through the other by reading her behavior as nothing less than a mirroring of his own behavior and de- sires motivating him . And even to this day , in writing his autobiography so many years later , he continues to create ...
Page 96
... create the meaning inherent in events through a language that deeply embodies human feelings . In its workings it creates worlds out of a slight gesture , a piece of a story , a sudden object of inter- est . We take him seriously when ...
... create the meaning inherent in events through a language that deeply embodies human feelings . In its workings it creates worlds out of a slight gesture , a piece of a story , a sudden object of inter- est . We take him seriously when ...
Contents
Nature and Narratives | 21 |
Wandering Wounds and Meandering Words | 51 |
Speak Daggers But Use None | 69 |
Copyright | |
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action Ahab Ahab's animal appetite archetypal autobiography Baby Suggs becomes begins believe Beloved boar body's Brothers Karamazov Carl Jung Christ Confessions consciousness corpse created cultural death deep deeply Denver desire destiny disease divine Dostoevsky embodied enfleshed epic explores father feel fiction figure Flannery O'Connor flesh Gaston Bachelard gestures Hamlet healing human icon imagination incarnation Ishmael Ivan Ilych Ivan's James Hillman Jean-Jacques Rousseau journey language lives marked Mary Grace matter memory metaphor mind Moby-Dick mother mystery myth mythic narcissism narrative nature novel O'Connor observation Odysseus Oedipus one's original Parker perhaps Peter Brooks Phaecians poetic pollution Polonius Polyphemos presence psyche psychological Queequeg reflection remembered reveals ritual Romanyshyn Rousseau Ruby Ruby's sacred Sarah Ruth scar Scheria sense Sethe Sethe's sewer soul spirit story suffering suggests tattooed things tion Toni Morrison Trans vision voice white whale words wounded body woundedness writes York Zosima's