The Wounded Body: Remembering the Markings of FleshAn almost obsessive interest in the human body in literary and psychological theory over the past ten years has uncovered not just the physical body but the body as metaphor, political emblem, social construction, and symptom. The Wounded Body builds on this recent interest in the body by providing an ambitious interdisciplinary exploration of the wounded body in literature from Homer to Toni Morrison. Guided by insights from phenomenology to Jungian archetypal psychology, Dennis Slattery argues that the body in its scarred, marked, diseased, tattooed, or otherwise afflicted state is not only an individual phenomenon but, in the hands of the poet, a cultural symptom, a place of suffering, as well as a way of seeing and ordering the experience of the one who is wounded. |
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Page 85
... Confessions , it almost always takes some form of exasperation , confusion , impa- tience , even if the degree of intensity varies . " Get a life ! " one student shouted out during class in her frustration because of Rousseau's seeming ...
... Confessions , it almost always takes some form of exasperation , confusion , impa- tience , even if the degree of intensity varies . " Get a life ! " one student shouted out during class in her frustration because of Rousseau's seeming ...
Page 96
... Confessions is an elaborate and complex creation of a social body , with an exchange value consisting not of money but of the far more valu- able capital of human feelings . * Such a blending will display its greater complexity through ...
... Confessions is an elaborate and complex creation of a social body , with an exchange value consisting not of money but of the far more valu- able capital of human feelings . * Such a blending will display its greater complexity through ...
Page 110
... Confessions can be understood in part as a witness to " the dangerous potential of what comes from below or from inside to pollute the world outside " ( Reid , Paris Sewers and Sewer- men , 2 ) . What comes from below can include the ...
... Confessions can be understood in part as a witness to " the dangerous potential of what comes from below or from inside to pollute the world outside " ( Reid , Paris Sewers and Sewer- men , 2 ) . What comes from below can include the ...
Contents
Nature and Narratives | 21 |
Wandering Wounds and Meandering Words | 51 |
Speak Daggers But Use None | 69 |
Copyright | |
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action Ahab Ahab's animal appetite archetypal autobiography Baby Suggs becomes begins believe Beloved boar body's Brothers Karamazov Carl Jung Christ Confessions consciousness corpse created cultural death deep deeply Denver desire destiny disease divine Dostoevsky embodied enfleshed epic explores father feel fiction figure Flannery O'Connor flesh Gaston Bachelard gestures Hamlet healing human icon imagination incarnation Ishmael Ivan Ilych Ivan's James Hillman Jean-Jacques Rousseau journey language lives marked Mary Grace matter memory metaphor mind Moby-Dick mother mystery myth mythic narcissism narrative nature novel O'Connor observation Odysseus Oedipus one's original Parker perhaps Peter Brooks Phaecians poetic pollution Polonius Polyphemos presence psyche psychological Queequeg reflection remembered reveals ritual Romanyshyn Rousseau Ruby Ruby's sacred Sarah Ruth scar Scheria sense Sethe Sethe's sewer soul spirit story suffering suggests tattooed things tion Toni Morrison Trans vision voice white whale words wounded body woundedness writes York Zosima's