Cultural and Literary Critiques of the Concepts of "race"

abolitionism aesthetic African African-American Afro-American Al Sharpton American analysis argued argument articulation assimilation become Brawley capital capitalist class struggle colonial color common sense communitarianism complex concept conflict construction contemporary context critical theory critique cultural identity defined discourse distinctive dominant economic emergence essay ethnic European film Frankfurt School function Gramsci groups hegemony historical human idea identity politics ideological images Indian individual institutions Joyce labor language liberal literary literature logic Marx Marxist Mashpee means metaphor Michael Michael Omi miscegenated modes of production movement narrative natural Negro one-drop rule oppression organization pluralism position possible practices problem question race racial identity racial order racism relations relationships represent representation romancing the shadow sexual slave social formation society specific structure Tawana Brawley theoretical tion tradition transformation United University W.E.B. DuBois wage slavery white supremacy women workers writing York