Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeTheatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); anexamination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the moderntheatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatricalephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print. |
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Page 164
As Saint - Evremond writes ( in his treatise on opera ) : “ Harmony need be no more than a simple accompaniment , and the grand masters of theatre added it as an agreeable thing , not as a necessary thing , after having worked out ...
As Saint - Evremond writes ( in his treatise on opera ) : “ Harmony need be no more than a simple accompaniment , and the grand masters of theatre added it as an agreeable thing , not as a necessary thing , after having worked out ...
Page 175
“ A tragic or comic plot should contain a single action , " writes Castelvetro , “ not because it cannot by nature hold more , but because the limitations of [ the ] time ... and place under which tragedies and comedies are performed ...
“ A tragic or comic plot should contain a single action , " writes Castelvetro , “ not because it cannot by nature hold more , but because the limitations of [ the ] time ... and place under which tragedies and comedies are performed ...
Page 276
And indeed , it is in part from “ Curiosit [ y ] ” about herself that she writes , using the Narrative of the Life of Mrs. Charlotte Charke as an occasion for the kind of authorial distance that will permit her to observe herself with ...
And indeed , it is in part from “ Curiosit [ y ] ” about herself that she writes , using the Narrative of the Life of Mrs. Charlotte Charke as an occasion for the kind of authorial distance that will permit her to observe herself with ...
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Contents
Note on Editions Spellings Translations and Citations II | 11 |
Foundations for figs 19 25 the Swedish National Museum Stockholm for figs | 28 |
Foundations for fig 29 the Department of Prints and Drawings British Museum | 48 |
Copyright | |
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Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2000 |
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acting action actors aesthetic attempt Beaumont become beginning body century Chapter characters claims classical collection Comedies continued contract copies Corneille corrected created critics culture dedication describes descriptions directions discussion distinction drama dramatic dramatists early editions eighteenth English explains expression fact figures Fletcher follow French gesture give hand identify illustrations imagination important instance Italy John Jonson kind language late later learned letters Library literary live London managers manuscript means narrative nature notes offer once original performance period Plautus plays playwrights poem poet poetic poetry preface present printed printers production published readers reading reflected Renaissance represented scene scenic seemed seen senses seventeenth Shakespeare similarly space spectators speech stage theatre theatrical things Thomas throughout tion tragedy trans translation troupes University various writes written
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Bibliographic information
| Title | Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe ACLS Humanities E-Book |
| Authors | Julie Stone Peters, Professor of English and Comparative Literature Julie Stone Peters |
| Contributor | American Council of Learned Societies |
| Edition | illustrated, reprint |
| Publisher | Oxford University Press, 2000 |
| Original from | the University of Michigan |
| Digitized | 22 May 2008 |
| ISBN | 0198187149, 9780198187141 |
| Length | 494 pages |
| Subjects | › › History / Europe / Renaissance Literary Criticism / Drama Literary Criticism / European / General Performing Arts / Theater / History & Criticism |
| Export Citation | BiBTeX EndNote RefMan |