Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeIt shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
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Page 44
... dramatists , not companies , who had the right to sell their plays to publishers . This meant that plays were often coming to the press from the dramatists themselves rather than from playhouses , and , as a result , that eighteenth ...
... dramatists , not companies , who had the right to sell their plays to publishers . This meant that plays were often coming to the press from the dramatists themselves rather than from playhouses , and , as a result , that eighteenth ...
Page 56
... dramatists ' payments were , by the middle of the seventeenth century , gen- erally keyed to performance takings , and so a theatrical flop could mean a minimal payment , no payment at all , or even a debt to the theatre . As prices for ...
... dramatists ' payments were , by the middle of the seventeenth century , gen- erally keyed to performance takings , and so a theatrical flop could mean a minimal payment , no payment at all , or even a debt to the theatre . As prices for ...
Page 363
... dramatists ) . 101. Larthomas , Le Théâtre 36 . 102. Stephens , Profession 55 . 103. Gies , Theatre 91 . 104 ... dramatists most commonly ceded provincial performance rights to publishers but retained Paris performance rights , but that ...
... dramatists ) . 101. Larthomas , Le Théâtre 36 . 102. Stephens , Profession 55 . 103. Gies , Theatre 91 . 104 ... dramatists most commonly ceded provincial performance rights to publishers but retained Paris performance rights , but that ...
Contents
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
Copyright | |
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Other editions - View all
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2000 |
Common terms and phrases
17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes