Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeIt shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
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Page 11
... . 368–9 ) ( Widener Library , Harvard University ) 60. Shakespeare , Dramatic III ( frontispiece ) ( Henry E. Huntington Library ) 284 285 295 THEATRVM Introduction In the late fifteenth century , half - List of Illustrations xi.
... . 368–9 ) ( Widener Library , Harvard University ) 60. Shakespeare , Dramatic III ( frontispiece ) ( Henry E. Huntington Library ) 284 285 295 THEATRVM Introduction In the late fifteenth century , half - List of Illustrations xi.
Page 11
... universities , and courts across Europe were drawing their inspiration from the Terence editions and the illustrated editions of Vitruvius that began to come out in the first decade of the sixteenth century.15 At least some of those ...
... universities , and courts across Europe were drawing their inspiration from the Terence editions and the illustrated editions of Vitruvius that began to come out in the first decade of the sixteenth century.15 At least some of those ...
Page 124
... Universities , " the " licence " of the popular theatre is to be chastened by a drama fit for his " learned Arbitresses " ( Oxford and Cambridge ) . " The learned [ have ] suffer [ ed ] " by " the too - much licence of Poetasters " -the ...
... Universities , " the " licence " of the popular theatre is to be chastened by a drama fit for his " learned Arbitresses " ( Oxford and Cambridge ) . " The learned [ have ] suffer [ ed ] " by " the too - much licence of Poetasters " -the ...
Contents
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
Copyright | |
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Other editions - View all
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2000 |
Common terms and phrases
17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes