Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeTheatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); anexamination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the moderntheatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatricalephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print. |
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Page 316
On the theatre festivals , see Nagler , Theatre ; and Blumenthal , Italian and Theater . ... spent time studying with the Italian humanists in Ferrara and Mantua during the years of the first exploratory classical productions in Italy ...
On the theatre festivals , see Nagler , Theatre ; and Blumenthal , Italian and Theater . ... spent time studying with the Italian humanists in Ferrara and Mantua during the years of the first exploratory classical productions in Italy ...
Page 318
е century ) ; the nearly two dozen Italian Plautus and Terence productions in Ferrara between 1486 and 1505 ( see ... On Jones's journey to Italy with Lord Arundel at the beginning of the 17th century , see Smith , “ Italian ” 203-4 .
е century ) ; the nearly two dozen Italian Plautus and Terence productions in Ferrara between 1486 and 1505 ( see ... On Jones's journey to Italy with Lord Arundel at the beginning of the 17th century , see Smith , “ Italian ” 203-4 .
Page 323
... octavos as folios in 16th - century Italy ; a strong preponderance of octavos in vernacular Italian plays ) . 24. ... books is considered to be markedly inferior to those produced in Germany , Italy , France , and the Low Countries ...
... octavos as folios in 16th - century Italy ; a strong preponderance of octavos in vernacular Italian plays ) . 24. ... books is considered to be markedly inferior to those produced in Germany , Italy , France , and the Low Countries ...
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Contents
Note on Editions Spellings Translations and Citations II | 11 |
Foundations for figs 19 25 the Swedish National Museum Stockholm for figs | 28 |
Foundations for fig 29 the Department of Prints and Drawings British Museum | 48 |
Copyright | |
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Other editions - View all
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2000 |
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acting action actors aesthetic attempt Beaumont become beginning body century Chapter characters claims classical collection Comedies continued contract copies Corneille corrected created critics culture dedication describes descriptions directions discussion distinction drama dramatic dramatists early editions eighteenth English explains expression fact figures Fletcher follow French gesture give hand identify illustrations imagination important instance Italy John Jonson kind language late later learned letters Library literary live London managers manuscript means narrative nature notes offer once original performance period Plautus plays playwrights poem poet poetic poetry preface present printed printers production published readers reading reflected Renaissance represented scene scenic seemed seen senses seventeenth Shakespeare similarly space spectators speech stage theatre theatrical things Thomas throughout tion tragedy trans translation troupes University various writes written