The Essential Derk Wynand

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The Porcupine's Quill, Oct 20, 2020 - Poetry - 64 pages

Derk Wynand began to publish a cohesive body of work in the 1970s. Though his poems touch on aspects of daily life both public and private, Wynand is essentially a love poet dedicated to exploring all aspects of his theme: from initial attraction and sustained eroticism, the anxieties and constancies of gradually negotiated connection, the satisfying longueurs of fidelity, to the pleasures of the seemingly timeless domestic moment. A poet of sentiment rather than of sentimentality, he tests the mettle of his vocation in his nimble, unruffled handling of point of view and the poetic line. Whether Wynand sets his poetry in the snows of European folklore, the sunny climes of Portugal and Mexico or the rains of British Columbia, he adroitly maps the inscape of the human heart.

The Essential Poets Series presents the works of Canada’s most celebrated poets in a package that is beautiful, accessible and affordable. The Essential Derk Wynand is the twenty-first volume in the increasingly popular series.

 

Contents

Foreword
7
Locus 1971
11
Snowscapes 1974
12
s kating down a dutch canal
13
Observation
14
Chagall
15
What I Remember
16
One Cook Once Dreaming 1980
17
Word
27
Silhouette
28
Cinch
29
Figure
30
Earthquake
31
The Amaryllis Sounds Reveille
32
Old Town
33
Harvest
35

Reconstruction
18
Five Tattoos and One Suggested
22
A Kind of Spring Fever
26
Crosswords
36
Queluz Palace
37
Copyright

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About the author (2020)

Derk Wynand was born in Bad Suderode, Germany, in 1944, not quite a week after D-Day. He arrived in Vancouver with his mother and brother in the fall of 1952, half a year after his father had come to Canada to establish a new life for himself and his family. After receiving his BA in English and philosophy from the University of British Columbia in 1966, Wynand taught for the Berlitz School of Languages in Montreal and Drummondville before returning to complete an MA In creative writing at UBC in 1969, where he studied with J. Michael Yates and Michael Bullock. While there, he began to translate the works of H.C. Artmann and others, a practice he continued during his time at the University of Victoria, where he taught from 1969 to 2004, serving two terms as chair of the Department of Writing and working in many capacities for The Malahat Review, including as editor from 1992 to 1998. Soon after he started teaching at UVic, he met his future wife, Eva, who provided the impetus for much of the work that followed, collected in eight books and three chapbooks of poetry, and in an experimental novel. He lives in Victoria, BC.

John Barton’s twenty-six books, chapbooks and anthologies include West of Darkness: Emily Carr, a Self-Portrait; Hypothesis; Seminal: The Anthology of Canada’s Gay-Male Poets; For the Boy with the Eyes of the Virgin: Selected Poems; Polari; and We Are Not Avatars: Essays, Memoirs, Manifestos. He is also the editor of The Essential Douglas LePan. During a three-decade career in literary magazine publishing, he served as co-editor of Arc Poetry Magazine and editor of The Malahat Review. Lost Family: A Memoir, his twelfth collection of poems, is forthcoming in the fall of 2020. He lives in Victoria, BC.

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