The Art of P. K. Irwin: observer, other, Gemini

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The Porcupine's Quill, Nov 29, 2016 - Art - 148 pages
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At an early age, P. K. Page/Irwin displayed an aptitude for illustration, and even her juvenalia indicated a sharp, painterly eye. But it wasn’t until she visited Brazil in the 1950s as wife of the Canadian ambassador, that she began to hone her artistic practice. Under her married name, P. K. Irwin, she produced a wide array of paintings, drawings and other artworks, experimenting with media and styles as she sought to develop her own visual aesthetic, and to reconcile her celebrated poetic identity with her more private, painterly one.

In The Art of P. K. Irwin, Michèle Rackham Hall investigates the artist’s creative development and examines the exotic locales and the wealth of accomplished peers who helped shape Irwin’s artistic output. With rich biographical detail and extensive reference to Irwin’s lyrical life writing, The Art of P. K. Irwin takes readers along on the artist’s journey toward her own aesthetic, one in which "place was her most potent muse, and exile her most fertile state."

 

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Contents

Preface
15
IN T R O D U C T I O
23
Glsossay of Art Terms
124
Copyright

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About the author (2016)

Michèle Rackham Hall is a writer and professor whose numerous essays, articles, and reviews have appeared in such publications as English Studies in Canada, The Maple Tree Literary Supplement, Matrix, and The Bull Calf, among others. She completed her PhD in English Literature at McGill University on the intersections between poetry and visual art, and she once worked as a docent at the National Gallery of Canada, where she delivered public lectures on Canadian art and led educational programs for the permanent collection. In addition to teaching in the Communications department at Algonquin College in Ottawa, Michèle currently serves as Ed-Tech Development Coordinator at Carleton University.

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