They Call Me George: The Untold Story of Black Train Porters and the Birth of Modern Canada

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Biblioasis, 2019 - History - 296 pages

A CBC BOOKS MUST-READ NONFICTION BOOK FOR BLACK HISTORY MONTH

Nominated for the Toronto Book Award

Smartly dressed and smiling, Canada's black train porters were a familiar sight to the average passenger-yet their minority status rendered them politically invisible, second-class in the social imagination that determined who was and who was not considered Canadian. Subjected to grueling shifts and unreasonable standards-a passenger missing his stop was a dismissible offense-the so-called Pullmen of the country's rail lines were denied secure positions and prohibited from bringing their families to Canada, and it was their struggle against the racist Dominion that laid the groundwork for the multicultural nation we know today. Drawing on the experiences of these influential black Canadians, Cecil Foster's They Call Me George demonstrates the power of individuals and minority groups in the fight for social justice and shows how a country can change for the better.

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About the author (2019)

Cecil Foster was born in Barbados in 1954. He emigrated to Canada in 1978. He has been a reporter for various newspapers, including The Toronto Star and The Globe and Mail, as a transportation expert and business columnist. He has been editor of Contrast, Canada's first Black-oriented newspaper and he was also senior editor for The Financial Post. Cecil has also worked for the CBC in radio and television, and has written the expository Distorted Mirror: Canada's Racist Face, which was published in 1991. Cecil is also well known for his novels, among them No Man in the House, published in 1991, Sleep On, Beloved, published in 1995, Dry Bones Memories in 2001, Where Race Does Not Matter: The New Spirit of Modernity in 2004 and Blackness and Modernity: The Colour of Humanity and the Quest for Freedom in 2007. Foster has become one of the country's most important writers, his fiction has been popular with both critics and the public alike.

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