The Capitalization of Cultural Production

activities advertising analysis Armand Mattelart artistic creation artistic professions audience audiovisual industries audiovisual products authors broadcasting capital capitalist characteristics cinema commercial communication companies complex conception concerned consumers consumption Council of Europe creative cultural commodities cultural industries cultural practices cultural production distribution dominant duction economic equipment evolution example fact factors field film industry financing firms France Frankfurt School French function Grenoble groups important industries culturelles interests internationalization Jacques Attali labor limited live performances logic major means Miège mimeographed monopoly monopoly capital networks organized Paris Patrice Flichy performing arts phase phenomena political pop music present professional profit promotion publishing question radio record producers relations reproducible products role royalties sector situation social specific strategies studies technologies television Third World Third World countries tion Type 1 products UNESCO valorization Videotex