The Capitalization of Cultural Production

activities actors advertising already analysis appear artists audiovisual authors become broadcasting capital capitalist changes characteristics cinema communication companies complex conception concerned considered consumers consumption continue costs countries creation creative cultural commodities cultural industries cultural production directly distribution dominant economic effects equipment especially essential example existence expression fact field film financing firms France French function groups hand important increase interests involved labor lead less limited live logic major mass means networks observation organized Paris particularly performers political position possible practices present problems professional profit programs promotion publishing question radio reasons recent record relations remain reproducible result role sector situation social specific strategies structures studies technologies television term Third World tion United workers