The Simple Flute: From A to ZDrawing from his highly praised French work, Une simple flute, distinguished flutist and teacher Michel Debost has compiled a useful and imaginative introduction to playing the flute. This alphabetically arranged compendium of advice and insight covers essential topics such as breathing, articulation, and tone, but also explores "jawboning," "finger phrasing," "the little devils," and other quirky and vexing aspects of flute playing. Full of practical advice on technique and axioms that lend moral support during tough practice sessions, The Simple Flute will be a welcome addition to any serious or novice flutist's library. In addition, the book includes original exercises such as "Debost's Scale Game," making it an excellent resource for flute teachers. Debost concludes each essay with "In a nutshell" and "Please refer to" boxes that make the book easy to browse, dog-ear, and return to again and again. Offering concise, common-sense solutions for flutists of all levels, this book is an ideal reference guide on flute performance. |
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in Page 83, there is a wrong information : THE FIRST WAS D# KEY BY QUANTZ AND FRENCH PLAYERS........... I don,t understand how can Debost wrote something like this?? hotetterre the french flutist made this key and quantz made other one for Mi moll.
User Review - Flag as inappropriate
I am basing my comments on the French version of this book (which is found in 2 volumes):
This is truly an incredible text, full of valuable information, advice, guidance and humour based on the author's experience of playing the flute and life.
It is like no other book available and will serve as a life-long companion to the flute "lover" :-).
Merci Michel!
Contents
I | 3 |
II | 5 |
III | 11 |
IV | 12 |
V | 14 |
VI | 17 |
VII | 18 |
VIII | 21 |
XLV | 140 |
XLVI | 143 |
XLVII | 148 |
XLVIII | 154 |
XLIX | 156 |
L | 160 |
LI | 163 |
LII | 166 |
IX | 23 |
X | 25 |
XI | 26 |
XII | 30 |
XIII | 34 |
XIV | 38 |
XV | 43 |
XVII | 46 |
XIX | 48 |
XXI | 50 |
XXIII | 52 |
XXIV | 54 |
XXV | 57 |
XXVI | 59 |
XXVII | 61 |
XXVIII | 63 |
XXIX | 68 |
XXX | 71 |
XXXI | 72 |
XXXII | 78 |
XXXIII | 80 |
XXXIV | 82 |
XXXV | 88 |
XXXVI | 90 |
XXXVII | 97 |
XXXVIII | 101 |
XXXIX | 109 |
XL | 111 |
XLI | 113 |
XLII | 123 |
XLIII | 128 |
XLIV | 134 |
Other editions - View all
Common terms and phrases
abdominal accent accompaniment action actually appoggiatura articulation attack Bach balance beat becomes better blowing breath called chin comes comfort Concerto direction don't dynamics effect embouchure energy Example feel Figure fingers flute flutists force French fulcrums Game give grace gravity hand head hold idea important indicated interpretation intervals intonation keep less lift lips listen little devil lower Major means measure move movement Mozart muscles natural notes nutshell octave Paris passage patterns performance phrase piece players playing position possible practice problem produce range reason refer relax release requires rest rhythm scale short shoulders Silent slow slurred sometimes sound speed stability staccato starting stress technique tempo tension thing throat tone tongue trill tune vibrato