The Field of Cultural Production: Essays on Art and LiteratureDuring the last two decades, sociologist Pierre Bourdieu has become a dominant force in cultural activity ranging from taste in music and art to choices in food and lifestyles. The Field of Cultural Production brings together Bourdieu's major essays on art and literature and provides the first introduction to Bourdieu's writings and theory of a cultural field that situates artistic works within the social conditions of their production, circulation, and consumption. Bourdieu develops a highly original approach to the study of literary and artistic works, addressing many of the key issues that have preoccupied literary art and cultural criticism in the last twentieth century: aesthetic value and canonicity, intertextuality, the institutional frameworks of cultural practice, the social role of intellectuals and artists, and structures of literary and artistic authority. Bourdieu elaborates a theory of the cultural field which situates artistic works within the social conditions of their production, circulation, and consumption. He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power. The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power. The Field of Cultural Porduction will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies. |
Contents
Pierre Bourdieu on Art Literature and Culture | 1 |
The Field of Cultural Production or The Economic World Reversed | 29 |
The Production of Belief Contribution to an Economy of Symbolic Goods | 74 |
The Market of Symbolic Goods | 112 |
Is the Structure of Sentimental Education an Instance of Social Selfanalysis? | 145 |
Field of Power Literary Field and Habitus | 161 |
Principles for a Sociology of Cultural Works | 176 |
Flauberts Point of View | 192 |
Outline of a Sociological Theory of Art Perception | 215 |
Manet and the Institutionalization of Anomie | 238 |
The Historical Genesis of a Pure Aesthetic | 254 |
Notes | 267 |
| 306 | |
| 310 | |
Other editions - View all
The Field of Cultural Production: Essays on Art and Literature Professor Pierre Bourdieu,Pierre Bourdieu No preview available - 1993 |
Common terms and phrases
academic academic art according aesthetic agents analysis art for art's art's sake artistic field audience authors autonomous avant-garde boulevard theatre Bourdieu bourgeois Champfleury consecration constituted critics cultural capital cultural production Dambreuse defined determined discourse dispositions dominant class dominant fractions École des Beaux-Arts economic capital effect example external fact field of cultural field of power field of production field of restricted Flaubert Frédéric function genre habitus hierarchy homology institutions intellectual invention Julia Kristeva Le Figaro legitimacy legitimate literary field literature logic Manet Max Weber means Minuit nouveau roman novel objective occupy opposition painters painting Paris particular perception petit-bourgeois petite bourgeoisie Pierre Bourdieu political position position-takings practice principle profit published pure recognized relations relationship representation restricted production Sentimental Education social conditions sociology specific strategies structure struggle sub-field success symbolic symbolic capital Symbolists taste tends theatre theory tion trajectory universe writers

