The Audience Studies ReaderWill Brooker, Deborah Jermyn The Audience Studies Reader brings together key writings exploring questions of reception and interpretation, reprinting forgotten pieces and combining key essays with new research. Beginning with a general introduction to the Reader, each extract is placed in its historical context with specially written section prefaces and suggestions for further reading.Organized chronologically and thematically, sections address: the paradigm shift - from 'effects' to 'uses and gratifications'; moral panic and censorship; the active audience and reading as resistance; shifts in screen theory - the spectator and the audience; the fan and the audience; female audiences; nation and ethnicity. Essays by: Theodor Adorno , Ien Ang , Camille Bacon-Smith , Jacqueline Bobo , Martin Barker , Michel de Certeau , Dawn Currie , Barbara Ehrenreich , John Fiske , George Gerbner , Marie Gillespie , Larry Gross , Sara Gwenllian-Jones , Miriam Hansen , Richard Hoggart , Henry Jenkins , Sut Jhally , Elihu Katz , Paul F. Lazarsfeld , Justin Lewis , Tamar Liebes , Angela McRobbie , Robert Merton , David Morley , David Muggleton , Laura Mulvey , Janice Radway , Philip Schlesinger , Esther Sonnet , Jackie Stacey , Frederic Wertham , Charles Winick and Gregory Woods |
Contents
THE PEOPLES CHOICE HOW THE VOTER MAKES UP HIS MIND IN A PRESIDENTIAL CAMPAIGN | 13 |
MASS PERSUASION THE SOCIAL PSYCHOLOGY OF A WAR BOND DRIVE | 19 |
ANALYSIS OF THE FILM DONT BE A SUCKER A STUDY IN COMMUNICATION | 27 |
TENDENCY SYSTEMS AND THE EFFECTS OF A MOVIE DEALING WITH A SOCIAL PROBLEM | 37 |
Moral panic and censorship The vulnerable audience | 51 |
CULTURE INDUSTRY RECONSIDERED | 55 |
SEDUCTION OF THE INNOCENT | 61 |
THE USES OF LITERACY | 67 |
OUT OF THE CLOSET AND INTO THE UNIVERSE QUEERS AND STAR TREK | 171 |
BEATLEMANIA GIRLS JUST WANT TO HAVE FUN | 180 |
HISTORIES FICTIONS AND XENA WARRIOR PRINCESS | 185 |
SUFFERING AND SOLACE THE GENRE OF PAIN | 192 |
INSIDE SUBCULTURE THE POSTMODERN MEANING OF STYLE | 199 |
Female audiences gender and reading | 213 |
READING THE ROMANCE WOMEN PATRIARCHY AND POPULAR LITERATURE | 219 |
LIVING ROOM WARS RETHINKING AUDIENCES FOR A POSTMODERN WORLD | 226 |
THE NEWSON REPORT A CASE STUDY IN COMMON SENSE | 74 |
Reading as resistance the active audience | 91 |
THE NATIONWIDE AUDIENCE | 95 |
THE PRACTICE OF EVERYDAY LIFE | 105 |
UNDERSTANDING POPULAR CULTURE | 112 |
WERE HERE WERE QUEER AND WERE NOT GOING CATALOGUE SHOPPING | 117 |
The spectator and the audience shifts in screen theory | 127 |
VISUAL PLEASURE AND NARRATIVE CINEMA | 133 |
BABEL AND BABYLON SPECTATORSHIP IN AMERICAN SILENT FILM | 143 |
STAR GAZING HOLLYWOOD CINEMA AND FEMALE SPECTATORSHIP | 150 |
WOMEN VIEWING VIOLENCE | 159 |
The fan audience cult texts and community | 167 |
FEMINISM AND YOUTH CULTURE | 235 |
GIRL TALK ADOLESCENT MAGAZINES AND THEIR READERS | 243 |
JUST A BOOK SHE SAID RECONFIGURING ETHNOGRAPHY FOR THE FEMALE READERS OF SEXUAL FICTION | 254 |
Interpretive communities nation and ethnicity | 275 |
ENLIGHTENED RACISM THE COSBY SHOW AUDIENCES AND THE MYTH OF THE AMERICAN DREAM | 279 |
THE EXPORT OF MEANING CROSSCULTURAL READINGS OF DALLAS | 287 |
THE COLOR PURPLE BLACK WOMEN AS CULTURAL READERS | 305 |
TELEVISION ETHNICITY AND CULTURAL CHANGE | 315 |
Conclusion overflow and audience | 322 |
335 | |
345 | |
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Common terms and phrases
active actually addiction American analysis appear asked attitudes audience become Black bond boys Chapter characters cinema claims concerned construction context critical culture desire diegesis discussion effect example experience fact fans feel female feminist fiction film girls give identification ideological important industry influence interest interpretation interviews issues kind less lives London look magazines male mass meaning memories models narrative offered particular pleasure political popular position possible present Press problem produced published question readers reading reference relation relationship relatively response role romance screen seems seen sense sexual shift soap social Star story suggests talk television things understand University viewers violence watching woman women writing young