The Art of Art History: A Critical Anthology
What is art history? Why, how, and where did it originate, and how have its methods changed over time? The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosophers, psychologists, and anthropologists among others have changed our notions of what art history has been, is, and might be. This anthology is a guide to understanding art history through critical reading of the field’s most innovative and influential texts, focusing on the past two centuries. Each section focuses on a key issue: art as history; aesthetics; form, content, and style; anthropology; meaning and interpretation; authorship and identity; and the phenomenon of globalization. More than thirty readings from writers as diverse as Winckelmann, Kant, Mary Kelly, and Michel Foucault are brought together, with editorial introductions to each topic providing background information, bibliographies, and critical elucidations of the issues at stake. This updated and expanded edition contains sixteen newly included extracts from key thinkers in the history of art, from Giorgio Vasari to Walter Benjamin and Satya Mohanty; a new section on globalization; and also a new concluding essay from Donald Preziosi on the tasks of the art historian today.
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I read this book for my Research Methods in Art History this semester (fall 2011), I found the introductions to the topics by Preziosi actually very helpful. Whether I agreed with Preziosi or not, his perspective on the essays was helpful in understanding how they were relevant. Some of the essay were a little difficult to understand like Heidegger and I would have liked a little more analysis on his work. The best thing about this book is that it puts all of the information together. I found the online book on Google helpful, because sometime you don't want to lug around a heavy textbook.
Chapter 2 Aesthetics
Chapter 3 Form Content Style
Chapter 4 Anthropology andas Art History
Chapter 5 Mechanisms of Meaning
Chapter 6 Deconstruction and the Limits of Interpretation
Chapter 7 Authorship and Identity
Chapter 8 Globalization and its Discontents