Screen Production Research: Creative Practice as a Mode of EnquiryCraig Batty, Susan Kerrigan Aimed at students and educators across all levels of Higher Education, this agenda-setting book defines what screen production research is and looks like—and by doing so celebrates creative practice as an important pursuit in the contemporary academic landscape. Drawing on the work of international experts as well as case studies from a range of forms and genres—including screenwriting, fiction filmmaking, documentary production and mobile media practice—the book is an essential guide for those interested in the rich relationship between theory and practice. It provides theories, models, tools and best practice examples that students and researchers can follow and expand upon in their own screen production projects. |
Contents
| 1 | |
| 11 | |
The Specificity of Research in Screen Production | 29 |
Establishing the Terms of Reference of Creative Arts and Media Research | 47 |
Chapter 5 Screenwriting as a Mode of Research and the Screenplay as a Research Artefact | 67 |
Chapter 6 Using PractitionerBased Enquiry PBE to Examine Screen Production as a Form of Creative Practice | 84 |
Chapter 7 Ethnography and Screen Production Research | 103 |
A Case Study in Practice Research Methods | 121 |
Practice as Research Research into Practice | 143 |
Creative Practice Research as a Mode of Documentary Making in Northeast India | 161 |
Using Practice to Research the Intersectional Work of Poetic Documentary | 177 |
The Dialectical Image as Research | 195 |
A PhD Experience | 213 |
Tacit Knowledge and AffectSoft Ethnography and Shared Domains | 233 |
| 249 | |
Other editions - View all
Screen Production Research: Creative Practice as a Mode of Enquiry Craig Batty,Susan Kerrigan No preview available - 2018 |
Common terms and phrases
academic aesthetic analysis argue artefact articulate artistic research audience audio-visual Australasian Cinema Australia Batty body Bourdieu camera cinema cinematographer collaborative complex context crea create creative arts creative practice research Creative Writing critical Crotty cultural developed discipline documentary documentary film documentation embodied enquiry epistemology Erik Knudsen essay ethnography example experience explore field filmmaking focus footage Greenhalgh Grix haptic Haseman ideas insights Journal of Writing Kamakhya Kamakhya Temple Knudsen London McIntyre means Media Practice methodology mode of research moving image narrative non-representational theory ontology Palgrave Macmillan performance photogénie Photographs poetic approach practice-based research practice-led research practitioners professional reflection research methods research project research-led practice RMIT University Routledge screen production research screenplay screenwriting screenwriting practice script Smartphones social space specific story strategies studies tacit knowledge techniques theoretical perspective thinking tion tive understanding University Press Vannini viewer visual vlogs William Kentridge