Not Hollywood: Independent Film at the Twilight of the American DreamThe pioneering anthropologist Sherry B. Ortner combines her trademark ethnographic expertise with critical film interpretation to explore the independent film scene in New York and Los Angeles since the late 1980s. Not Hollywood is both a study of the lived experience of that scene and a critical examination of America as seen through the lenses of independent filmmakers. Based on interviews with scores of directors and producers, Ortner reveals the culture and practices of indie filmmaking, including the conviction of those involved that their films, unlike Hollywood movies, are "telling the truth" about American life. These films often illuminate the dark side of American society through narratives about the family, the economy, and politics in today's neoliberal era. Offering insightful interpretations of many of these films, Ortner argues that during the past three decades independent American cinema has functioned as a vital form of cultural critique. |
Contents
Introduction | 1 |
Chapter 1 Making Independence | 29 |
Chapter 2 Dark Indies | 59 |
Chapter 3 Making the Scene | 91 |
Chapter 4 Moral Ambiguity | 121 |
Chapter 5 Making Value | 147 |
Chapter 6 Film Feminism | 173 |
Chapter 7 Making Films | 199 |
Chapter 8 Politics | 229 |
Chapter 9 Conclusions | 259 |
Filmography | 273 |
Notes | 285 |
299 | |
315 | |
Other editions - View all
Not Hollywood: Independent Film at the Twilight of the American Dream Sherry B. Ortner Limited preview - 2013 |
Not Hollywood: Independent Film at the Twilight of the American Dream Sherry B. Ortner No preview available - 2013 |
Common terms and phrases
actors American Dream and/or anthropology argue artistic audience Awards Biskind Bourdieu called chapter Christine Vachon cinema crew cultural critique dark David dent film director discourse discussed documentary earlier ethnographic feel feminist field notes Film Festival film school film world finally Gen Xers gender genre girl guys Hollywood Hollywood movies idea immigrant independent film independent filmmakers independent producers Independent Spirit Awards interesting interview issues James Schamus kind Kirby Dick Krista Little Miss Sunshine look Michael Cuesta Michael Moore middle-class Mira Nair Miramax moral ambiguity mother neoliberal neoliberal capitalism neoliberal economy Ortner parents pedophile post-feminism Prod public culture question relationship relatively Rodrigo García screen screenwriter script sense shooting social specialty divisions Steven Soderbergh story studio Sundance talk Ted Hope tell things tion truth viewer woman women world of independent young