Musical Transformation and Musical Intuition: Eleven Essays in Honor of David Lewin

accent actually analysis analytic Bach bars bass beat Beethoven beginning cello chord complexity composer Composition connection context continuity describe developing discussion dissonance downbeat element entries Example experience fact figure final four fugue function gestural given going grouping harmonic hear ideas initial instance interpretation interval inversion JEANNE kind language Lewin listener major Mattheson meaning measure melody metric minor motion motive move Music Theory occurs opening passage path pc series phrase piano piece pitch play possible present Press progression prolongational refer regional relation represent result rhythm scale seems sense sequence shown shows simples single soprano sound space string structure succession suggests theory third tonal tone tonic transformation transposition units University violin voice leading