PAJ Publications, 1987 - Dadaism - 165 pages
One of the most controversial and ironic of twentieth-century modernisms, Dada swept through the arts after the shock of World War I, when poets, painters, filmmakers, and performers joined forces to challenge conventions of society and art. The only collection of its kind, this volume includes writings by leading Dadaists: Hugo Ball, Kurt Schwitters, Richard Huelsenbeck, Roger Vitrac, Tristan Tzara, Emmy Hennings, Francis Picabia, and others.
Impressions of Africa
CABARET VOLTAIRE ZURICH 191617
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AEGISTHUS AGAMEMNON ALIBI ANDREA ANTIPYRINE appeared artists audience Baader Banker BARATE beautiful Berlin bourgeois Breton Cabaret Dada Cabaret Voltaire CAPTAIN CASS CLYTEMNESTRA costumes curtain DADA PERFORMANCE Dada's dance Dodor door drop drop drop Emmy Hennings Enter eyes FORMAL DRESS Francis Picabia FRANCOIS GENTLEMAN GILDA girl going gong goo goo goo Grosz HAMLET hand Hausmann Henry Hugo Ball Impressions of Africa Janco JANKO Juillard Kurt Schwitters ladies lamplighters lamplighters lamplighters leave LETOILE Lighting change look Madame manifesto Marcel Marcel Herrand Marcel Janco MAXIME Messalina muh muh muh newspaper night numbers OCRE ORESTES Paris PAUL Pause Picabia play poem POET poetry POLONIUS Raoul Hausmann recite Reliche Richard Huelsenbeck RIQUET Roussel SCENE SECOND SPECTATOR Set and lighting SHEPHERDESS shouted sing Sirdah stage Talou tell tended my sheepeepeep theatre Tristan Tzara VALENTINE voice walk Walter Mehring woman words Zurich