Culture of the Baroque: Analysis of a Historical Structure

according activity already appearance aspects baroque baroque culture became become called character characteristics cited common concept consider constituted continued corresponded countries crisis culture direct economic edited effects elements epoch example existence experience expression extent fact fiestas force forms formulation give Gracián greater groups hand human idea individuals interest Italy king knowledge less limits literature living Madrid maintained manifestations mass means mentality mind mode monarchy morality move movement nature object observed offered opinion painting Paris perhaps play political population position possible present production question reality reason reference remained Renaissance represented role sense seventeenth century similar situation social society Spain Spanish stage structure taste tells theater theme things traditional translated urban writers wrote